Metascore

Universal acclaim - based on 8 Critics What's this?

User Score

Universal acclaim- based on 36 Ratings

Score distribution:
  1. Positive: 7 out of 8
  2. Negative: 0 out of 8
  1. 100
    After Hours is a brilliant film that is so original, so particular, that we are uncertain from moment to moment exactly how to respond to it. The style of the film creates, in us, the same feeling that the events in the film create in the hero. Interesting.
  2. Reviewed by: Staff (Not Credited)
    100
    A wickedly funny black comedy that follows the increasingly bizarre series of events that befall hapless word-processer Griffin Dunne after he ventures out of his apartment on the Upper East Side of Manhattan and goes downtown in search of carnal pleasures.
  3. Reviewed by: Staff (Not Credited)
    80
    The cinema of paranoia and persecution reaches an apogee in After Hours, a nightmarish black comedy from Martin Scorsese. Anxiety-ridden picture would have been pretty funny if it didn't play like a confirmation of everyone's worst fears about contemporary urban life.
  4. After Hours is not, ultimately, a satisfying film, but it's often vigorously unsettling.

See all 8 Critic Reviews

Score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
  1. 10
    Scorsese does it yet again.delivers another classic that will keep you glued to your chair.brilliant!this is a must see movie.it might as well be the funniest movie ever. Expand
  2. Masterpiece of Scorcese: an inteligent comedy filmed through New York. Refinated humor is carachterized when sinalizations indicates "dead people" at apartment of Fiorentino´s...Unforntunatelly, haven´t been the appropriated recognized by the spectators. On of the best comedy´s of all time... Expand
  3. MichaelD.
    10
    Brilliant black comedy that condenses one man's nightmarish evening into a series of bizarre encounters with the after hours crowd of Soho. While it might play on people's fears of urban life, much like the Out of Towners did in the 70's, it is more a commentary on the contrast between the button down, workaday life led by many New Yorkers and the late night, artsy subculture. Expand
  4. Pepe: Art sure is ugly. Neil: Shows how much you know about art. The uglier the art, the more it's worth. Pepe: This must be worth a fortune, man. Pepe and Neil are a couple of thieves and just two of the many oddly pretentious characters that Paul Hackett runs into. After meeting a woman at a local coffee shop and scoring her number, Paul heads to downtown SoHo to meet her at her apartment. He expects a romantic evening. What he gets is a bizarre series of events and comedic irony that's too smart for the filmâ Expand

See all 5 User Reviews

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