Generally favorable reviews - based on 22 Critics What's this?

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  • Summary: As novelist Betty Fisher (Kiberlain) starts becoming darkly depressed after the death of her young son, her plotting mother arranges to have another little boy kidnapped to take his place.
Score distribution:
  1. Positive: 20 out of 22
  2. Negative: 1 out of 22
  1. In today's cynical cinematic climate, there's something beautiful in Miller's simple poetic justice.
  2. A confidently adroit thriller that captures a comprehensive sense of life in an edgy, multicultural and economically diverse Paris. The large cast couldn't be better, but the film belongs to Kiberlain.
  3. What really makes Alias Betty stand out, even from good recent French ensemble films like "Eight Women" and "Venus Beauty Institute," is that ingenious, Rendell-derived story. To kidnap an old phrase, it's a corker.
  4. 75
    Despite a contrived ending that brings together all the film's characters, Alias Betty is inventive filmmaking.
  5. 70
    If the ending isn't conventionally happy, it's certainly deeply satisfying.
  6. 70
    A lot goes on, and it doesn't always make sense. But the cast embodies Rendell's ability to incorporate shrewd observations on human behavior into the framework of a crime story, and Miller has a great eye for the places on the Paris outskirts where the lives of haves and have-nots intersect.
  7. 20
    The good news might be that Huppert wasn't available for Alias Betty, but the bad news is that it didn't stop France from exporting yet one more cold, pretentious, thoroughly dislikable study in sociopathy.

See all 22 Critic Reviews

Score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2