Allegro
Allegro Image
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Metascore
63 out of 100

Generally favorable reviews - based on 5 Critics What's this?

User Score
7.5 out of 10

Generally favorable reviews- based on 4 Ratings

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  • Summary: The director of Reconstruction, winner of the Cannes Camera d'Or in 2003, returns with Allegro, another mind-boggling exploration of his signature themes of love and memory. (International Film Circuit)

Critic Reviews

Score distribution:
  1. Positive: 2 out of 5
  2. Mixed: 2 out of 5
  3. Negative: 1 out of 5
  1. Film Threat
    Reviewed by: Michael Ferraro
    100
    An existential masterpiece. Merging the stylistic direction of Jean-Pierre Jeunet with the existential sensibilities of Charlie Kaufman, creating one of the most memorable films ever made.
  2. TV Guide
    Reviewed by: Maitland McDonagh
    75
    Spare, elegant and tailor-made for intense discussions over dark coffee, Boe's film is a slily bold and delightfully inventive variation on an age-old theme.
  3. The New York Times
    Reviewed by: Stephen Holden
    60
    Its most intriguing moments evoke the way that memory plays tricks and our visions of the past are actually scrambled composites of impressions and feelings.
  4. Village Voice
    Reviewed by: Nathan Lee
    30
    Unmotivated jitters and flash-zooms abound, needlessly complicating a flagrantly elaborate premise.

See all 5 Critic Reviews

User Reviews

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Score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. LengyelG.
    10
    It is a masterpiece. I started to watch it half asleep and I was amazed.
  2. TommyA.
    8
    Glad to see this is finally getting a wider release.
  3. ChadS.
    7
    "The Zone", in "Allegro", is a televised screen(like a desert vista in a Road Runner cartoon that the coyote would smash into) that contains a static representation of a Copenhagen neighborhood, which to me, vaguely recalls the use of back screen projection in Lars Von Trier's "Zentropa". So does the narration, even though it's not in second-person. If you ever wondered how a film scripted by Charlie Kaufman would look in the hands of an intellectually rigorous(rather than playful) filmmaker like Von Trier, "Allegro" is your movie. How Zetterstrom(Ulrich Thomsen) enters another world, an absurdest world("The Zone"), is reminiscent of "Being John Malkovich", and his memory erasure of a true love, Andrea(Helena Christensen), is similar to "Eternal Sunshine of a Spotless Mind". Those two films were fun. "Allegro" is not. It does, however, has something interesting to say about the foolishness of loving your craft more than a human being. When Andrea abandons Zetterstorm after a recital, he erases her from his mind. When he loses his ability to play the piano, "Allegro" shows us how empty our lives are without love. Without his talent, Zetterstorm is nothing.… Expand

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