• Starring: Ewan McGregor, Hilary Swank, Richard Gere
  • Summary: After becoming the first woman to fly across the Atlantic, Amelia was thrust into a new role as America's sweetheart - the legendary "goddess of light," known for her bold, larger-than-life charisma. Yet, even with her global fame solidified, her belief in flirting with danger and standing up as her own, outspoken woman never changed. She was an inspiration to people everywhere, from First Lady Eleanor Roosevelt to the men closest to her heart: her husband, promoter and publishing magnate George P. Putnam, and her long time friend and lover, pilot Gene Vidal. In the summer of 1937, Amelia set off on her most daunting mission yet: a solo flight around the world that she and George both anxiously foresaw as destined, whatever the outcome, to become one of the most talked-about journeys in history. (Fox Searchlight) Expand
Score distribution:
  1. Positive: 9 out of 34
  2. Negative: 11 out of 34
  1. Most of all, Earhart wanted to be able to fly free as a bird above the clouds, and director Nair and star Swank make her quest not only understandable but truly impressive.
  2. Reviewed by: Angie Errigo
    60
    Swank's moving performance, the period dressing and beautiful planes all appeal, but dramatically it doesn't really soar.
  3. There's so much pluck and gumption on the screen you can smell it. Flesh and blood? Not so much.

See all 34 Critic Reviews

Score distribution:
  1. Positive: 5 out of 7
  2. Negative: 1 out of 7
  1. This movie was superb. Hillary Swank and Richard Gere are terrific. Don't miss it. You will love it; it's low key film-making at its best. Why it received such low scores is beyond me. It is a 10 in my book. Expand
    • 0 of 0 users said yes
  2. WilliamW.
    5
    Acting was excellent .It was uncanny how much Swank and Amelia looked alike.The musical score was haunting and beautiful.
    • 0 of 0 users said yes
  3. ChadS.
    3
    Her plane is slow. Amelia Earhart's Lockheed L-10 Elektra doesn't zip in the sky like the crates flown by test pilots in other aviation-heavy films such as Tony Scott's "Top Gun" and Phillip Kaufman's "The Right Stuff". The plane's relative lack of speed doesn't translate well to the screen, but this non-dramatic handicap could easily have been counterbalanced through a clearly delineated rendering of how air travel was far from routine during this era, in which each flight came fraught with the possibility of a crash. To set the stage of Earhart's crowning achievement(her solo flight across the Atlantic), "Amelia" should show, not just tell, about the unsuccessful attempts made by other female aviators, which ended in death. There's not enough midair tension to help illustrate historicity's dual nature of Earhart's piloting career, which ideally would have displayed her heroism, in simultaniety with evidence that backed the claims of her piloting contemporaries who disputed her competence. Since Earhart's professional accomplishments come off as surprisingly dull, the aviatrix's personal life; her marriage to G.P. Putnam(Richard Gere) and affair with Gene Vidal(Ewan McGregor), comes dangerously close to defining her. The sweeping musical score sweeps all the daredevil spirit out of her. It's a soundtrack better suited for a swoony, romantic woman of her times, not an iconoclast with steely ambition. The music turns Amelia into something she probably never was: soft. Childless throughout her marriage to the famed book publisher, the film, perhaps invents a maternal side for the pilot, who is exceedingly nice and motherly to Gene's son. The music reduces this trailblazing woman, as if "Amelia" was about the first stewardess to fly across the Atlantic. Expand
    • 0 of 0 users said yes

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