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75There is a wise and understanding teacher on the faculty, played by Anjelica Huston. Defending the work of Dead White Males, she sensibly observes that when they did their best work "they weren't dead yet."
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The movie sputters in its later, darker passages, which by design are less audience-friendly than the earlier, satirically secure ones.
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75This is as dark as Zwigoff has gotten - arguably even darker than "Bad Santa." And, while it's legitimate to label Art School Confidential as a "comedy," the movie is more clever than it is funny.
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75Intelligent and robust contempt has become so rare in movies that the first half of Art School Confidential is intermittently exhilarating.
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70Art School Confidential reaches its dementedly brilliant peak in the company of Jim Broadbent.
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70Art School Confidential is replete with humorous detail--in that respect, the student art projects are particularly fine--but it's the attitude that rules.
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70If a more elegant and succinct explanation of what compels some people to go to art school has ever been filmed, I haven't seen it.
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70Enjoyable and reprises the same dyspeptic attitude that infused "Ghost World," but ultimately it lacks its predecessor's originality and humanity.
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70It's far more ambitious than its predecessor and suffers from too many ideas rather than too few, making it an inspired, fascinating, and revealing mess.
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67When it's on, it's really, really on. But when it's not, it feels like it's struggling to find its style, just as Jerome is.
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67Art School Confidential mostly just makes you feel bad - period. It puts you in a foul mood and leaves you there.
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67Zwigoff has a rich comic gallery of pretentious boobs to lampoon. But his satirical target just seems too easy this time around: It's hard to spoof institutions that already veer so close to self-parody.
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63As the film devolved from satire to slapstick horror, I didn't believe in it at all. But in his beetle-browed intensity and tremulousness, I completely believed in Minghella's Jerome.
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58Succeeds only in fits and starts.
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58There's simply nobody beneath the derisive attitude worth caring about.
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With an "Animal House"-ish deportment, Art School likely will entertain a sophomoric audience and etch some winning college-kid figures, but art house audiences will be disappointed by its paint-by-numbers storytelling.
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50There are two movies vying to occupy the same space here: a teen comedy about artistic pretension and academic double standards, and a darker, nastier movie about a serial killer. They share Zwigoff's trademark misanthropy, but it doesn't delight as it did in the perversely sweet "Bad Santa." Now it just feels mean.
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50It doesn't help that the central character, Jerome - earnestly played by Max Minghella of "Bee Season" - is essentially a passive observer.
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50Art School Confidential exudes confidence as long as it is satirizing a questionable, at least according to Clowes, institution of higher learning. But the film loses its way with multiple subplots, becoming a hodgepodge that isn't particularly hard to follow, but, far worse, provides no compelling reason to bother.
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50This failure is especially surprising because Zwigoff not only reunited with "Ghost World's" writer, ingenious graphic artist Dan Clowes, but he aimed to satirize a rarefied sphere both know all too well: the art world.
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50Like a smart-ass student clever enough to see through everyone but himself, Art School Confidential falls victim to the very clichés it wants to puncture.
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50It works for a good while--probably half of the movie.
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50Misanthropy can be incredibly entertaining, so long as that hatred draws blood. But that extra percentage point of venom has skewed Clowes and Zwigoff's aim.
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50Despite a soulful leading performance from Max Minghella, pic feels insubstantial, echoing without equaling both the coolly ironic edge and heart of "Ghost World" and the incisive art-world outsider portrait of the director's docu feature, "Crumb."
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40We still love you, Terry. Happens to the best of us. But, man, what a stinky load. Someone get the hose.
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40In spite of some acute observations and a few interesting performances (most notably from John Malkovich as Jerome's drawing teacher and the ever-reliable Jim Broadbent as Strathmore's least illustrious alumnus), Art School Confidential is a dull and dyspeptic exercise in self-pity and hostility.
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38Art School Confidential, the first disappointment from director Terry Zwigoff, is all glum, dour cynicism.
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38Zwigoff's overdue for a turkey, in other words. Art School Confidential is it.
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33Insistently sullen, nihilistic, and successful to the point of smugness at transmitting buzzkill, Art School Confidential is the second collaboration between art-house cartoonist Daniel Clowes and director Terry Zwigoff.
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Zwigoff doesn't get the tone right, and the picture goes from reasonably amusing (if crude) to puzzling to boring to (when a campus strangler enters the picture) hateful.
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User score distribution:
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Positive: 12 out of 21
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Mixed: 5 out of 21
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Negative: 4 out of 21
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gb1
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LindaL.2
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JH8This is a terrific movie. It is funny, smart, and the acting and directing are wonderful. Rent this!