Attenberg Image

Generally favorable reviews - based on 13 Critics What's this?

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Generally favorable reviews- based on 9 Ratings

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  • Summary: Part of the new wave of Greek cinema, Attenberg is an offbeat coming-of-age film. 23-year-old Marina is living in a small, factory town by the sea where her once-visionary architect father, has returned to die. Finding the human species foreign, she keeps her distance, choosing to observe mankind through Sir David Attenborough’s mammal documentaries and the songs of Suicide. While preparing for her father’s impending death, Marina discovers her own sexuality through lessons from her only friend, Bella, and a visiting engineer. Equal parts abstract theater and melodrama, Attenberg sincerely and humorously navigates the defining moments in life. (Strand Releasing) Expand
Score distribution:
  1. Positive: 13 out of 13
  2. Mixed: 0 out of 13
  3. Negative: 0 out of 13
  1. Reviewed by: Eric Kohn
    Mar 5, 2012
    With its persistent inventiveness and a lack of unearned sentimentality, the movie provides an antidote to a lot of lazily produced dramas about death, American or otherwise.
  2. Reviewed by: Andrew Schenker
    Mar 5, 2012
    A boldly conceived assemblage of diverse and seemingly random fictional materials, Athina Rachel Tsangari's Attenberg is concerned with nothing less than those hardy perennials: sex, death, and modernity. And coming of age a little too late.
  3. Reviewed by: Eric Hynes
    Mar 6, 2012
    Attenberg shares with the Oscar-nominated "Dogtooth" a weakness for overgrown innocence and deadpan perversity.
  4. Reviewed by: Anthony Lane
    Mar 5, 2012
    The father's resignation to that fate is, on balance, the most compelling aspect of the film, and I will not readily forget the sight of him staring out over the town and mourning the long history of his homeland. "We built an industrial colony on top of sheep pens," he says, "and thought we were making a revolution." Maybe Attenberg is topical, after all.
  5. Reviewed by: Sheri Linden
    Apr 5, 2012
    From the gangly awkwardness of its opening scene - a pleasure-free lesson in kissing - it's clear that Attenberg aims to provoke. Its bored young characters and flat-affect performances recall another innovative Greek drama, "Dogtooth."
  6. Reviewed by: A.O. Scott
    Mar 8, 2012
    The emotions are quiet, and the connections among the characters feel tentative and fragile. Though it makes no reference to the current economic and political crisis in Greece, Attenberg is suffused with a sense of malaise - of stasis, if you prefer a Greek word - that way well reflect the contemporary national mood.
  7. Reviewed by: Scott Tobias
    Mar 7, 2012
    Stripped of all its random weirdness, Attenberg has the premise of a classic Yasujiro Ozu drama like "Late Spring," with its relationship between a widower approaching death and a devoted daughter who needs to leave the nest before it's too late.

See all 13 Critic Reviews

Score distribution:
  1. Positive: 2 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 1 out of 3
  1. Apr 26, 2012
    delightful, innovative, funny & alternative sad. more than 'the next big greek film' a great film. must see. the family dynamic, fun dance steps and deep rooted fears are trascendent in this very fine movie. Expand
  2. Apr 1, 2012
    From a country that is trying to rediscover itself politically, financially and economically come a string of films (films such as Attenberg, Dogtooth, Alps, L) that share a common style: they all feel to be void of the human emotional undercoat and delivering quirky, and somewhat perversely captivating material that might seem disjointed for those looking for a conventional storytelling but is rewarding for those who are looking for alternative manifestations of them. Expand
  3. POV
    Apr 3, 2011
    An interesting, scenic painting of Greek landscape and urban microcosm. Interesting choice of making a coming of age story as confusing for the audience as for the protagonist in the film. But hey, maybe thats a good thing, the confusion. Right?

    The cinematography is worthy of a TEN, no question. This is not about escapism, the colors, the contrast, the scenery sucked me in. But what about the nudity? Does 'but its EUROPEAN ergo it's okay' really explain all that needs to be explained? What about the dynamic in the homosexual exploration of the protagonist-why is that element unexamined, why does the director tie it in the growth of the protagonist?
    Too many 'what do I make of this' to make me take Attenberg more seriously than viewing it as an attempt for a euro art film.

    New Greek filmmakers like Tsangari have potential, but need to write and read and watch films more, so that films like Attenberg are one day soon taken as a good pat on the back, but not as finalized products of creativity.