SummaryAlina (Cristina Flutur) arrives at a remote monastery to visit her friend Voichita (Cosmina Stratan), one of the nuns in training. Alina wants Voichita to leave her cloistered life and return with her to Germany, but as the fateful hour draws near, Voichita does not want to go, so Alina decides to stay, which is when the real trouble be...
SummaryAlina (Cristina Flutur) arrives at a remote monastery to visit her friend Voichita (Cosmina Stratan), one of the nuns in training. Alina wants Voichita to leave her cloistered life and return with her to Germany, but as the fateful hour draws near, Voichita does not want to go, so Alina decides to stay, which is when the real trouble be...
Even as Mr. Mungiu maintains a detached, objective point of view, allowing the details of the story to speak for themselves, he also allows you to glimpse the complex and volatile inner lives of his characters.
A quietly powerful film which is all the more interesting to me, coming from a mixed family Roman Catholic & Eastern Orthodox. The Eastern Orthodox traditions are well represented here, and the bull-in-a-china shop Alina is shocking in her brash willingness to pull her loved one away from the monastery at all costs. This movie is a tonic for the banal slate of films Hollywood has given us during this first quarter of the year.
It's tempting to see Beyond the Hills solely as an indictment of religion, but the film is more ambitious than that. Ignorance and superstition aren't confined to the convent; people in town, including the cops, drop casual references to witchcraft as if it were part of everyday life. The broader subject is possession by primitive ideas.
Exorcist junkies should look elsewhere. Instead of spinning heads and projectile puke, Mungiu offers nuance and provocation. The result is quietly devastating.
Between faith and winning a heart back.
This is my second Romanian movie in 3 weeks to review in WCA. And both of them were the Oscars sent movie that never made into the final stage. My Romanian movie count is not exceeded to double digit, but I think now I started to like them and hoping to watch many more in the days to come. This movie was less expected by me, well, I was delaying it for some times, eventually finished it with highly satisfied.
From the director of the Golden Globe Nominee movie '4 Months, 3 Weeks & 2 Days' brings the story of two young women who were once abused when in orphanage that led them to bond closely before going their separate ways after leaving the place. One of them returns from working in Germany to win another's heart back who has now found a place in a convent. How the things work out between them, with their new life and the past attachment that affect not only them but entire convent.
If 'Ida' made into the Oscars, I don't know why this one failed to make. Both of them were kind of similar, about the characters who were caught between the faith and emotion. One's true commitment to the faith is tested with the unexpected encounter with the desires. Is the religion too innocence in the modern world? While the human civilisation shifting its phase to the next stage, the 2000 years old belief is struggling to pull together. In that platform this movie was narrated a wonderful story.
"Continuity is essential in our spiritual realm.
You can't stop for a break when you feel like it."
The tale was quite clearly displayed when one has to choose between two, even knowing what the reality is, but fixed with their devoted mind on one. Maybe like coming from the orphanage, knowing all the struggles about life, this is the way they pledged to help the society. In the perspective of hardcore believers, the movie might be a little hurtful, but nothing serious offensive. It was just a movie, and sometimes it was a dark comedy that was not intended, but anyway I had a few good laughs.
I am really happy for the movie, I won't consider it an outcry about religious cruelty. Unlike hospitals that legally runs performances, while a monastery like this raises a few questions within its practice that performed against someone's will. After all it was inspired by the real even that took place in the 2005 and mostly factual than fiction.
This was set in the present time, but most of the movie shot in a convent just outskirt of a city, so gives the feel of the 60s, 70s or earlier to that. Because their lifestyle that disconnects from the rest of the world, including their financial struggle. An ideal location for the story and its title. Shot in two different seasons similar to change in the phase and pace of the tale to the intensified conclusion. I loved everyone's performance. Definitely it is not in the line of 'Spotlight', but you can't ignore where the movie is pointing out on what went wrong. In my opinion, it is a must see and surely suggest it for all, well, mostly adults for its sensitiveness.
8/10
"Beyond the Hills" is a simple story about two friends, one of them has found solace at a covenant in Romania, while the other works in Germany, and has returned to her country in order to convince her friend to come to Germany to her. This results in themes of religion, faith, and mostly the contrast between the two characters, which seem to see the world through different eyes. To be honest, this isn't a bad movie, but the script which features an exorcism, feels dimmed and monotone. While the lack of music brings a fantastic sense of reality through the detailed natural sounds, this is a double edge sword because it also kills the tension. It's like this movie **** you in and then, before you know it, all the excitement disappears, just so that you could get **** in again. It feels as if it never manages to shock us or keep us engaged, like Mungiu's 2007 Palme D'Or winner "4 Months, 3 Weeks and 2 Days".
So, this is a raw experiece without music or detailed frames, but I'm afraid the quiet and interesting universe it creates, it's a bit more interesting than what happens in it. Still, the performances are very good, as much as the script allows, and this still deserves a watch even if it feels like a sneeze that its ready to blow, only it doesn't.
Production Company
Mobra Films,
Why Not Productions,
Les Films du Fleuve,
France 3 Cinéma,
Mandragora Movies,
Romanian National Center for Cinematography,
Eurimages,
Centre national du cinéma et de l'image animée (CNC),
Canal+,
France Télévisions,
Ciné+,
Wild Bunch