SummaryThe life of 11-year old Billy Elliot (Bell), a coal miner's son in Northern England, is forever changed one day when he stumbles upon a ballet class during his weekly boxing lesson. (Universal Focus)
SummaryThe life of 11-year old Billy Elliot (Bell), a coal miner's son in Northern England, is forever changed one day when he stumbles upon a ballet class during his weekly boxing lesson. (Universal Focus)
The plot pace is quite fast, in as much as Billys clear interest in dancing and choreography via ballet is brought to light within the first twenty minutes. The film is set in the economically bleak period of the 1984 miners strike, a harsh time for the north of England, where this film is set. Thematically this film covers gender stereotypes, cross dressing and other taboos, or what certainly were at the time, plus the social class system perhaps. More symbolically perhaps, this film deals with determination, (self) identity and expression. Although I was familiar with the main story, I found there to be a few plot twists that I wasn't aware of and which (thus) took me by surprise. I thought its quite a good film from a 'beating the odds' sort of perspective, although no doubt for some it'll seem a bit too obvious and/or sentimental, which I guess comes down to your personal taste in films and the like.
The film features an eclectic soundtrack, consisting of both 1970s and 1980s chart hits, including T. Rex 'I Love To Boogie' and 'Children Of The Revolution', 'London Calling' by The Clash and 'Town Called Malice' by The Jam. There also numerous classical orchestral pieces. I liked the fact that the tracks were quite uplifting and optimistic in tone, compared to the bleak setting, as both the local community are clearly in turmoil but moreso the Elliot family in general struggling to get through, having to attempt to move on from Billys mothers tragic passing. I felt there was an uplifting element to it.
It may seem (the film in general, this is not strictly referring to the soundtrack) perhaps a little simplistic but I felt the balance between optimism and pessimism, the mix of good and bad did seem believably realistic. It had a bit of a 'Hollywood' feel to it, (particularly at the end I suppose) in as much as it being the tale of an underdog wanting to succeed in being allowed to express himself in the way he feels most comfortable and to heck with how others judge him but I did feel that the way the the local community and perhaps more importantly his closest family members, reacted to his new found 'hobby', seemed fairly plausible to me anyway.
I found myself feeling quite concerned for the various characters, due to their bleak circumstances. Some scenes are quite emotional and I must say that the cast did a stellar job in giving very powerful performances, most noteably of course Jamie Bell, who plays the title character Billy, Julie Walters, who plays the ballet/dance teacher (both of which won numerous awards for their roles) and Gary Lewis, who plays Billys dad. Billys dads response in certain scenes and at certain points I found to be quite touching and I felt that overall the film was both entertaining and engrossing. Some scenes are quite tense and I felt keen throughout to find out what the outcome would be. Its not an especially long film, which is always a plus side in my book, with it having a running time of approximately 1 hour 45 minutes.
Content wise, there is strong language and moderate violence present in this film, plus sex references and partial nudity but nothing too graphic. Yes, I'd recommend this film. It features some poignant dialogue with some very tense and emotional scenes, a good soundtrack, memorable performances and covering a number of important social themes/issues.
"Billy Elliot" as another reviewer already said, improves with each watching. Jamie Bell gives a performance of a lifetime. Julie Walters does a terrific job as well. Excellent movie.
Trumpets the worthwhile message that ballet is just as manly and athletic as any other masculine activity - and maybe a touch more so, if you have to defy an uncomprehending community in order to pursue it.
There's actually a lot going on in this little movie, and first-time feature director Stephen Daldry, turning his talents from the theater, handles all of it deftly.
No one on earth can deny the high quality of dramedy of the tiny dancer who reach his dreams despite the opposition of his father. Even the OST has own charm. For watch over and over.
Fantastically acted, wonderfully entertaining, funny and just sad enough to make it heartwarming enough to make it one of my favorite movies. I give this movie a great 92%.
Cried along with the boy and his family. Movies that recreate real emotions and try to make them as close as possible to the movie, are always worth watching. Suffering, loving - that's a durable platform to step on.
Beautiful, uplifting, warm, emotive. Many positive adjectives for a film that is aging just right. The story is compelling and different from what we are used to. Of course the big star and what makes the film a total winner is the child actor (and adult actor nowadays, not with that much shine compared to this role in his younger years). Impressive acting by him, especially the dancing scenes. The supporting cast could have been better, although his teacher is a great character and the actress too. Great soundtrack too.
Alors, ça se passe dans l'Angleterre des années 80, celle des mineurs en grève et le gamin de 11 piges se découvre une passion pour la danse classique. Evidemment, le gamin a perdu sa maman, le grand frère est un connard et le papa en a gros sur la patate. Et puis, dans ce milieu viril de mineurs, la danse, c'est pas trop leur truc, vous voyez. Ce serait plutôt la bière et la boxe en fait.
On est en plein dans le film social, pétri de bonnes intentions très naïves, d'optimisme béat et de tolérance : peace and love mes frères, heal the world et patati et patata. Bon, j'anticipe un peu puisque Michael Jackson n'était pas encore blanc à cette époque mais vous voyez l'idée. D'ailleurs, ils ne passent pas vraiment "Heal the world" mais la musique locale faisandée des années 80 aux paroles aigries et vindicatives : bref, de la soupe ringarde mais passons.
Pendant tout le film, le petit Billy répète qu'il n'est pas pédé parce qu'il veut faire de la danse et que tous les danseurs ne sont pas des pédales et c'est tout-à-fait vrai. Mais tout de même, les danseurs, c'est comme les coiffeurs, je crois que le métier prédispose, statistiquement parlant bien entendu. Se dédouaner ainsi régulièrement et lourdement, cache je crois une certaine inquiétude dans le film.
Naturellement, passé la première heure, on devine aisément comment tout cela va se terminer : tout simplement avec de la guimauve et un angélisme merveilleux à faire mourir de honte n'importe quel production Disney. C'est tellement lourdingue que le temps semble bien long mais ils en rajoutent encore plusieurs couches au cas où...
Oui, on a bien compris le message social : élevez-vous, travailleurs, dépassez le carcan de votre classe : vous aussi, vous pourrez aller danser en collants, **** chaussons et bien maquillés sur du Tchaïkovsky ! filles ou garçons d'ailleurs, LBGT compris(e), cela va sans dire.
En dehors cela dit de tout jugement de valeur et de coiffeur, je pense que le ballet est la chose la plus ridicule que l'on puisse voir : ces gesticulations affectées sont grotesques et c'est un argument que le père (et la famille) aurait pu expliquer tranquillement au jeune ado en perte de répères.
Il reste un film qui peut se laisser regarder à dose homéopathique mais pas trop longtemps d'affilée, car l'agenda socialo-benêt porte singulièrement sur les nerfs.