• Summary: Famed documentarian Michael Moore returns with his first feature film in five years, as he tackles the issue of America's unique obsession with firearms.
Score distribution:
  1. Positive: 24 out of 32
  2. Negative: 0 out of 32
  1. Moore's best movie, and one of the most blisteringly effective polemics and documentaries ever.
  2. Reviewed by: Jonathan Curiel
    100
    Documentary reaches an exalted level of filmmaking. It explains the very fabric of American society.
  3. Reviewed by: David Edelstein
    60
    Something appalling about the way he turns to the camera with a look of sorrow: Michael Moore as a suffering Christ. It's an insult to his own movie, which at its considerable best transcends his thuggish personality.

See all 32 Critic Reviews

Score distribution:
  1. Positive: 88 out of 127
  2. Negative: 35 out of 127
  1. TerryB.
    10
    I don't know if other people watched the same movie that I watched. In the movie, Moore is just telling the truth. Now I know that the truth hurts some people, but lets be serious...our governments top priorities are on bombing the hell outta some country on the other side of this planet when there are starving families that barely get by from day to day. The government should concentrate on healthcare and childrens' education. Moore is just opening our eyes to how messed up our governments priorities are and how it's putting fear into every american in this country. How could you watch the president of the NRA show no sympathy whatsoever for the 6 year old girl that was shot by a gun at school and not get pissed at him for that?!? Maybe I actually have a heart with a concience, but some people need to open their eyes to what is going on in this country. And not all people of america are gun happy assholes...there are many great people in america and they just don't see those people. It's the government and gun-loving idiot who are screwing many people over. Expand
    • 0 of 0 users said yes
  2. Alicia
    4
    Sooooooooooooooo overrated! Surprisingly I did enjoy parts, but only after I began to approach the 'documentary' as an entirely fictional movie. I'm an Aussie and we all 'hate' Americans but i was under the impression that they're all fiercely patriotic. Michael Moore attacks his country and its institutions in a desperate attempt to be scandalous and get people to watch bowling for columbine. How could he use a tragedy like this? And even more importantly how could he receive awards for fictitious events in the category of documentary? Expand
    • 0 of 0 users said yes
  3. Riren
    3
    Bowling For Columbine is an example of a sad and increasingly popular trend in documentary: to no longer inform, but to program. Like most sensationalist works, it goes for the emotional reaction instead of the logical. It's very good at stirring up a cloud of feelings whenever it's logic is weak and might be criticized by a thinking audience. It preys on factual confusion and cynicism to paint an anti-patriotic picture, something done much more thoroughly and intelligently in other mediums such as the books of Noam Chomsky. But where you could argue with Chomsky's writing, Moore's theatrics are unrelenting - rather than let you disagree, he will coyly pretend he wasn't making that point, throw something at you so that you are too uncomfortable to respond, and change the subject so that you won't have the chance to think things through. Moore has made a great contribution to turning documentary into the next great form of propaganda. The only thing he has to be proud of is how many millions of dollars he has duped audiences out of in doing it. Please, if you want to educate yourself on the great problems facing modern society, read a book. Leave this documentary to the liberals who, like a quire, relish in being preached at my their own congregation. Expand
    • 0 of 0 users said yes

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