- Studio: October Films
- Release Date: Nov 13, 1996
- Critic Score
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100A movie about the passions of simple people, and it's done with such extraordinary empathy and commitment that it all but pulls you under. [29 November 1996, Friday, p.A]
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100Not many movies like this get made, because not many filmmakers are so bold, angry and defiant.
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One of the most emotionally devastating movies of the decade.
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100One of the most haunting and vital movies of the year.
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100Not only one of the best films of the year, it's one of the best films of the decade.
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100True art is a journey to somewhere you've never been, and there has never been a movie quite like Breaking the Waves.
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90"Waves" is a spellbinder.
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90What Von Trier arrives at is a complex, contemporary, and deeply moving exploration of faith.
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90A narrative path leading from the sincere to the ludicrous, and culminating in a final image of flabbergasting transcendance, gives Breaking the Waves its surprising power.
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90There are few movies around that take such huge risks: this is high-wire filmmaking, without a net of irony.
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90Watson is a major find as Bess. Graced with delicate, expressive features, she gives an extraordinary performance.
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89With this artlessly profound and affecting story of love, von Trier emerges as one of those blessed filmmakers who've managed to blend their early stylistic flamboyance with enough human empathy to make their work both visually and emotionally compelling.
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88If not for a somewhat forced catharsis during the epilogue (the weakest segment of the movie), Breaking the Waves would have been more wrenching than it is.
User score distribution:
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Positive: 11 out of 14
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Mixed: 0 out of 14
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Negative: 3 out of 14
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LauraG10You just can't close your mouth once the movie has finished.
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JayH7
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antoñete10Unforgettable masterpiece with a masterclass perfomance by Emily Watson as Bess McNeill.