• Starring: Emilie de Ravin, Joseph Gordon-Levitt, Lukas Haas, Meagan Good, Richard Roundtree
  • Summary: Brick, while taking its cues and its verbal style from the novels of Dashiell Hammett, also honors the rich cinematic tradition of the hard-boiled noir mystery, here wittily and bracingly immersed in fresh territory – a modern-day Southern California neighborhood and high school. (Focus Features)
Score distribution:
  1. Positive: 30 out of 34
  2. Negative: 0 out of 34
  1. 91
    A Big Sleep with underage bozos, a Maltese Falcon where the stuff that dreams are made of rests in the lockers of a well-worn high school, Brick is a remarkable oddity, audacious and engaging.
  2. 91
    Manages to be visually arresting, packed with geeky allusions to everything from Raymond Chandler to "Blue Velvet."
  3. Has the inherent limits of all movies that feed on movies, rather than life -- it's original, yet it's not.

See all 34 Critic Reviews

Score distribution:
  1. Positive: 43 out of 57
  2. Negative: 12 out of 57
  1. 10
    Well written, Well acted, solid artful piece. The Film Noir/Hard boiled "who dunnit" feel fits really well in the director's childhood California high school setting while only feeling forced for brief moments. It's in my top ten films for sure. The pace is for the patient, and the entire vibe requires an understanding or appreciation of Film Noir. Maybe not for everyone, but I saw it as an incredibly well written script with an obvious intended goal for the film. Expand
    • 0 of 0 users said yes
  2. AndyM.
    5
    This movie is best described as a bunch of 25 year-olds, acting like 17 year-olds, acting like 35 year-olds. It's ridiculous. This isn't high school, and it never will be. It tries to be original by placing a 50-years-late, washed-up detective genre into a high school setting, and it comes off as plain absurd. As the Wall Street Journal puts it, "It's original, yet it's not". No high school is filled with smooth talking, drug-running teenagers, who spit 1940's lingo like it's the normal thing to do. If you like detective stories and you just HAVE to have a new angle, despite the complete lack of believability, then this is for you. The movie isn't a bad one, don't get me wrong. The writing and the confined presentation just prevents it from being the amazing movie it desperately wants to be. And I mean desperately. Expand
    • 1 of 1 users said yes
  3. I am a big fan of film noir and I am open to the concept of neo-noir but this didn't do anything for me. It seemed to be off the pace that it should be keeping up with and although it has some good noir elements to it it didn't provide much entertainment value.---- ACTING was all round quite odd. The characters seemed pretty unrealistic and dull to me, although there was some good acting. I have to be honest, Gordon Levitt was more or less abysmal. ----PLOT. All the characters seemed dark and there was constant themes of mistrust, which is obviously in keeping with the noir side. Except, film noir was made at a dark time (40s-50s) and I think that now, it is irrelevant to use the same plot devices and themes. It just doesn't work, especially with a colour picture. ----DIRECTING. It was OK, but it didn't save this film from being a drag. ----CINEMATOGRAPHY: Well, a dark theme film and there is a dark tone to it, but I think the film was too active and full on as oppose to being kept subtle with clever fighting scenes blended in, like a noir film should be. ----Overall, I thought the idea of basing a noir in a high school COULD have been good, but was ultimately risky and in the end I think it just didn't work. A modern day Noir (neo noir) shouldn't stray too far away from the old 40s/50s films, after all, it is based on them. Too many elements were changed in Brick and the elements that remained didn't fit it as a result of the off-pace story and the unnecessarily unspecific character depth. Remember, characters like Sam Spade were dark, suspicious and cynical, but not completely distant to the point where we can't relate to them. ----Final thought: Brick tries to borrow from the classic noir but by trying to make it too modern it's changed the dynamic and become a failure. Expand
    • 0 of 0 users said yes

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