Metascore
71 out of 100

Generally favorable reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 17 out of 22
  2. Negative: 3 out of 22
  1. 100
    Bronson owes a little or a lot to Kubrick's "Clockwork Orange," but if that's a crime I wish more people would commit it.
  2. Reviewed by: Gary Goldstein
    90
    Whether it's Peterson/Bronson's more theatrical bits or his untamable character's many blood-spitting, knuckle-beating, explosions, Hardy chomps down on his once-in-a-career role with stunning ferocity and never lets go. He's extraordinary.
  3. 90
    Bronson invites you to admire its protagonist as a pure, muscular embodiment of anarchy. And perhaps you will, but you may also be glad that he's still behind bars.
  4. 83
    There are two Bronsons on display here: the impossible thug that we don't dare release into polite society, and the guy we enjoy watching do his terrible thing. The man and the movie are both living, punching contradictions.
  5. Reviewed by: Scott Tobias
    80
    He's neither victim nor hero, but a man who, in every conceivable sense, belongs behind bars.
  6. This is unhinged genius, an amazing piece of acting. Brutal, yes, but magnetic all the same.
  7. Refn has somehow found his way to an authentic English hard-man drama, anchored in a dynamite performance, even as it celebrates thug life.
  8. Refn's artful and energetic film never goes further than face value.
  9. 75
    This movie and Hardy's electrifying performance will knock you for a loop.
  10. 75
    It is 92 minutes of rage, acted by Tom Hardy.
  11. Hardy is remarkable, however. This is an actor with a memorably expressive rasp of a voice, both blunt and musical.
  12. 75
    Tom Hardy gives an amazing performance as Peterson, who took on the nickname Charlie Bronson, after the "Death Wish" actor.
  13. The tone is surreal, at once visceral and clinical, making Bronson an unsettling experience: savage, disturbing, and yet somehow fascinating.
  14. Reviewed by: Ty Burr
    75
    Bronson isn't a story in the traditional sense at all. It's a meditation on the art of rage - an action painting passing itself off as an action movie.
  15. 75
    It's played with real zest and energy, and if you can stand the heat it gives off it may charm you despite yourself.
  16. Reviewed by: Staff (Not credited)
    70
    With an intelligent, provocative and stylized approach, Bronson (based on a true story) follows the metamorphosis of Mickey Peterson into Britain's most dangerous prisoner, Charles Bronson.
  17. 63
    It's lively and vivid but ends up leaving the viewer indifferent to the central character, his life, and his dubious place in British pop culture.
  18. Reviewed by: John Anderson
    60
    Too smart/arty for the slasher set, and too violent for high-brows, Bronson may have a tough time finding its niche, although it has "cult hit" written all over it.
  19. Bronson is one of those "based on a true story" dramatizations where the theatrically staged drama only gets in the way of the more interesting truth.
  20. Reviewed by: Stephen Farber
    30
    Despite the artistic flourishes, this is still an utterly repellent look at a psychopath who does not deserve the attention of the filmmakers or the audience.
  21. 30
    Bronson is essentially a faux-operatic, music hall turn--a larky, lumpen version of "Lola Montès."
  22. It's an assaultive work about an assaultive fellow.
User Score

Generally favorable reviews- based on 32 Ratings

User score distribution:
  1. Positive: 6 out of 6
  2. Mixed: 0 out of 6
  3. Negative: 0 out of 6
  1. MartinB
    9
    Anyone who doesn't like this movie simply just doesn't get it. Maybe it's a British thing (I'm Irish but have grown up on British TV) or maybe it's particularly enjoyed by those who like Theatre of the Absurd (Beckett etc), but this is without doubt one of the best movies of the last ten years. Full Review »
  2. http://mikesharkey.blogspot.com/2009/04/igizmo-review.html And throughout, Tom Hardy’s wonderful depiction is unflinching, menacing and minutely observed – a man who glories in physical confrontation, who revels in the combat (who prepares for a ‘battle’ in one scene by forcing a kidnapped and terrified prison librarian to grease him from head to naked toe). Hardy also depicts a more taciturn Bronson - all small verbal tics, quiet groans and mumbles as he ponders how to come to terms with a period of freedom. Overall, the artistic approach can mean it remains difficult to sympathise with Bronson, despite some suggestions toward the end that the audience should. At times it fraternises with glorification and, though presented extremely effectively, the violence is rarely naturalistic and is often set to music, filtered or slowed down. Yet despite this, and because of this, Bronson remains a visceral and visually poetic portrait and is a forceful addition to the canon of criminal biography. Full Review »
  3. 8
    Sorry, machine translation. The "stage", by Nicolas Winding Refn. Violence and abuse, the victims left in a state of prolonged mental suffering, failure of institutions in understanding adolescent deviant behavior, violent arm of the law and to end the dreams of omnipotence megalomica. This is "Bronson," the film of Nicholas Winding Refn / director Tom Hardy and very good player in the role of Michael Peterson "aka" Charles Bronson /. That is a true story of Bronson. The convict thug, convict the most dangerous of England, has attracted public attention for his want artistic and literary production but also for their way of life accompanied by a personal code of honor. It is not a murderess, will not beat women or children. What is the strategy to tell Refn Bronson? The stage. Bronson is the protagonist on stage, as it is in many prisons turned from him. At that stage in those costumes and tells the general public. Ironically, the isolation becomes a friend and as such provides the necessary time to draft the "script" as the text of self-narration. Remember the scene with the convict in double face? This is Bronson, I understand, a man in extraordinary performance by Tom Hardy is presented to us a little 'jester but also very, very corrosive. Council to see the film, directed by brilliant quality, the history is not easy to tell and interpret it for the music, but ... Keep a safe distance. Good Click! ITALIAN VERSION Il "palco", di Nicolas Winding Refn. Violenza e sopraffazione; vittime lasciate in prolungato stato di sofferenza psichica, incapacità delle istituzioni nel comprendere comportamenti adolescenziali devianti, braccio violento della legge e per finire sogni di onnipotenza megalomica. Questo è "Bronson", il film di Nicholas Winding Refn regista / e Tom Hardy bravissimo protagonista, nel ruolo di Michael Peterson "in arte" Charles Bronson /. Quella di Bronson è una storia vera. Il galeotto picchiatore, il galeotto più pericoloso d'Inghilterra; ha attirato su di sé l'attenzione pubblica vuoi per la sua produzione artistico-letteraria ma anche per il proprio stile di vita accompagnato da un personalissimo codice d'onore. Infatti, non è un assassino, non picchia le donne né i bambini. Qual è la strategia di Refn per raccontarci di Bronson? Il palco. Sul palco Bronson è protagonista assoluto, così come lo è nelle tantissime carceri da lui girate. Sul quel palco ed in quei costumi si racconta al grande pubblico. Per assurdo, l'isolamento gli diventa amico e come tale fornisce il tempo necessario per la stesura del "copione" quale testo autonarrativo. Ricordate la scena con il galeotto in double face? Questo è Bronson, mi par di capire; un uomo che nella straordinaria interpretazione di Tom Hardy ci è presentato un po' giullare ma anche tanto, tanto corrosivo. Consiglio di vedere il film, per la regia qualitativamente brillante, per la storia non facile da raccontare ed interpretare; per le musiche; ma... tenetevi a debita distanza. Good Click! Full Review »