SummaryWhen a casual gambler befriends a professional one, he begins to mirror his life, sending both deeper into the sleazy gambling world where the stakes keep getting bigger.
SummaryWhen a casual gambler befriends a professional one, he begins to mirror his life, sending both deeper into the sleazy gambling world where the stakes keep getting bigger.
California Split has never been heralded as one of the key Altmans. But the few things it does — friendship and disappointment and the drab and desperate thrill of the gambler’s life — it does superbly.
As in all Altman films, winning is losing; and the more Altman reveals, in his oblique, seemingly casual yet brilliantly controlled way, the more we realize that to love characters the way Altman loves his, you have to see them turned completely inside out.
A film such as this, which is essentially a series of comic vignettes without a plot, depends upon its performances, and both Gould and Segal are in top form, providing an example of impov at its best.
The film is technically and physically handsome, all the more so for being mostly location work, but lacks a cohesive and reinforced sense of story direction.