• Starring: Abbie Cornish, Geoffrey Rush, Heath Ledger
  • Summary: A charming but reckless young poet (Ledger) has fallen in love with Candy (Cornish), a beautiful young art student from a comfortable middle-class family who is attracted to the bohemian lifestyle that Dan has long since embraced. In order to get closer to Dan, Candy whose previous drug use has been casually experimental, starts shooting up. Their passionate relationship then alternates between bursts of ecstatic oblivion and bouts of despair and self-destruction. Hooked as much on heroin as one another, their story becomes a love triangle -- a boy, a girl and a drug. (ThinkFilm) Expand
Score distribution:
  1. Positive: 10 out of 24
  2. Negative: 0 out of 24
  1. Reviewed by: Ken Fox
    88
    Neil Armfield's film hits hard because it sensitively shows how life on drugs can never be about anything else, and how the real horror of addiction is not what users do to themselves, but what they do to each other out of loneliness and despair.
  2. Reviewed by: Russell Edwards
    60
    Life, love and addiction make a mostly bitter, but occasionally sweet, concoction in Oz drama Candy, which is sometimes hard to swallow.
  3. As the characters' lives fall apart, Ledger fails to bring the necessary gravitas to the role, and he looks a bit too healthy throughout.

See all 24 Critic Reviews

Score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. Helenp.
    10
    It's simply gorgeous!
    • 0 of 0 users said yes
  2. BrianM
    9
    Heath Ledger and Abbie Cornish are amazing!
    • 0 of 0 users said yes
  3. ChadS.
    7
    Being a painter, when Candy (Abbie Cornish) moves to the countryside with Dan(Heath Ledger, who reclaims his heterosexual screen image in a scene that makes ironic use of "My Own Private Idaho"), Jackson Pollock and Lee Krasner's migration to the boonies spring to mind. But then you realize that Dan doesn't do anything, so the prescient evocation becomes only half-right. Dan is no action painter; action hay bailer, yes. Candy can still be Krasner, but her influential(the bad kind) beau is the anti-muse. Dan has nothing to offer her, except his love. Is it enough? No. Candy may, or may not mature into an artist of great notoriety, but she'll never get a chance to find out if the heroin does her in. "Candy" is a love story about co-dependents(who might be star-crossed; she's middle class, he might be "white trash") that has its intermittent moments of underlining the debacle, which is the grade of diaster that drug addiction entails, with startling power and heartbreak. The sequence that documents Candy's attempt to bring life into this world stands out from the rest of "Candy" in which, like all movies about addicts, are broken into two sets of scenes; they're either stoned, or not stoned. Expand
    • 0 of 0 users said yes

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