Metascore
60 out of 100

Mixed or average reviews - based on 29 Critics

Critic score distribution:
  1. Positive: 13 out of 29
  2. Negative: 1 out of 29
  1. 88
    By occupying their roles believably, by acting as we think their characters probably would, they save the movie from feeling like basic Hollywood action (even when it probably is). This is one of the year's best thrillers.
  2. Reviewed by: David Edelstein
    80
    A thriller that isn't kinky isn't much of a thriller. And Cellular has the best kinky phone gimmick since "Sorry, Wrong Number" (1948).
  3. This unpretentious little bit of superior craftsmanship will be utterly mesmerizing to two kinds of people in particular: those who love cell phones and those who hate them.
  4. The 23-year-old Evans has been acting just four years, and his near-anonymity makes him well-cast: He's an Everyslacker breezing through life in Santa Monica, the kind of guy who could turn into a hero under the right circumstances or remain a zero the rest of his life.
  5. Very slick, very compelling and not nearly as predictable as it sounds.
  6. 70
    Basinger's debasement in the early part of the film is unpleasant to watch, and it's an unsettling bump in the context of the entertaining sheen of the rest of the picture. So much of Cellular is right on the button. If only it hadn't gotten its wires crossed.
  7. 70
    The film works by putting the accelerator to the floor and never looking in the rear-view mirror.
  8. It's an honest, unpretentious, well-made B picture with a clever, silly premise, a handful of sly, unassuming performances and enough car chases, decent jokes and swervy plot complications to make the price of the ticket seem like a decent bargain.
  9. Its adroit use of suspense makes you overlook the silliness.
  10. 67
    It's mad, bad nonsense of the summer, popcorn variety, disposable but oh-so-much fun to endure, a roller coaster on a wobbly cinematic track.
  11. Chris Evans is blithely likable despite a few faux-Cruise mannerisms, Basinger makes a vividly frightened yet resourceful woman in peril, and William H. Macy scores as a mild L.A. cop who lets out his inner macho.
  12. Reviewed by: Claudia Puig
    63
    A well-paced action film in the vein of "Speed."
  13. 63
    A ludicrous little abduction thriller that boasts an entertaining cocktail of gunpowder, suspense, adrenaline, and cheese. I just couldn't hate this movie, and I really, really tried. It's tightly made and well written in deceptive ways that don't reveal themselves until past the halfway point.
  14. Reviewed by: Amy Nicholson
    60
    The whole thing skims along on suspension of disbelief.
  15. Basinger takes her shuddery Stanwyckness very seriously, but everyone else has a ball.
  16. If you can cast all semblance of logic aside, it's sort of fun.
  17. Reviewed by: Robert Koehler
    60
    Because plot is the sum total here, the alarming holes, inconsistencies and impossibilities in Chris Morgan's script corrode this drama of distress.
  18. Macy once again brightens an otherwise mundane character.
  19. Slickly produced, well cast and very excitingly made, it's based on plot hooks so silly, most of them blow up in your face.
  20. 50
    Entertaining in spite of itself.
  21. As Ryan, Evans attempts to graduate from "Not Another Teen Movie"-type fare to more adult stuff. He holds his own, but he has no edge.
  22. 50
    Basinger appears to be literally phoning in from another movie in the highly improbable, maniacally action-packed thriller-cum-comedy Cellular.
  23. Distressingly predictable and not a tad scary. But as a parody of the genre, it's a scream, like the "Scream'' franchise, only funnier. It's as if all the ingredients for a thriller coagulated into Silly Putty.
  24. 50
    That's not to say it isn't entertaining, only that the scenes which rely entirely on the fragile interplay between Jessica and Ryan suggest a more compelling movie that got lost in the welter of high-speed highway recklessness.
  25. 50
    The movie crosses the line between offering mindless entertainment and insulting our intelligence.
  26. Reviewed by: Karen Karbo
    50
    What's truly disheartening about Cellular is that just as logic has become a luxury in a thriller, so has anything resembling tension.
  27. Illustrates what happens when a viable premise is spoiled by sheer preposterousness.
  28. 50
    Cohen and a crew of script doctors have thrown in some of the oldest cliches in the book.
  29. Using a kidnapping plot to call up some old-fashioned suspense, it doesn't even get a dial tone.
User Score

Generally favorable reviews- based on 40 Ratings

User score distribution:
  1. Positive: 18 out of 27
  2. Negative: 8 out of 27
  1. De la part de David R. Ellis (Destination Finale, Des Serpents dans l'Avion, Shark 3D), je ne savais pas trop à quoi m'attendre avec ce thriller. Et bien, j'aurais du me douter du résultat final lorsque j'ai vu les extraits... Je veux bien comprendre que ce film ne se prenne pas au sérieux. Mais les invraisemblances grotesques sont tellement nombreuses!! Une prof qui sait comme par hasard réparer un téléphone, Monsieur-tout-le-monde qui s'improvise héros comme ça, batterries de téléphones dispo quand il le faut... Bref, sur une idée qui aurait pu être sympathique, le film se perd incontestablement dans un bordel sans nom de clichés et conneries scénaristiques montres! Et je ne parle même pas du casting, quelque peu décevant. Reste que le tout soit mené avec énergie (je le reconnais), mais avec Cellular, je ne comprends pas pourquoi on fait ce genre de film alors que sur le papier, on pouvait faire bien mieux qu'une "comédie" d'action. Full Review »
  2. This was a great movie. It was action packed with a good story. It exposed some of the possible twists that may exist in reality with two-timing cops. Jason Statham always delivers. I just couldn't stand the women - she's a terrible actor. She has the sound of a phone sex lady throughout the movie for some reason. Full Review »
  3. there is novelty in the story. there is less originality as it seemed nothing new. execution is good. it was enthralling and captivating. direction screenplay and technical values are good. casting and production values are also good. overall the movie has missed somewhere in the middle to become a trade mark movie. but it is engaging and worthy to have a watch. Full Review »