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Universal acclaim- based on 111 Ratings

User score distribution:
  1. Negative: 0 out of 111

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  1. j30
    Jan 26, 2012
    This neo-noir, old school movie rocks. The masterful Roman Polanski directs this powerhouse of a movie with Jack Nicholson and Faye Dunaway are at their best. I can't recommend this movie enough.
  2. Oct 17, 2012
    Roman Polanski's American made film, first since Rosemary's Baby shows him again in total command of talent and physical filmmaking elements. I seen The Carrie Teaser Trailer , This is the 4th movie of Carrie ,Why A Carrie Remake, in God's name?!!!! It's a perfect film! Brian de Palma filmed it perfectly, Sissy Spacek and Piper Laurie are absolutely perfect ,they both got Oscar nominations out of it, for God sake! Chloë look's like Angela Bettis in Carrie 2002 ,For me the face of Sissy Spacek in Carrie 1976 is more scary ,i am not gonna spend my money for see this silly remake ,Why the hell carrie burns the Town? the people who lives in the town they didn't do noting to carrie ,it's just stupid this New Carrie movie look's like Carrie 2002 or Volcano Expand
  3. Feb 10, 2014
    Chinatown is one of the most impressive examples of neo-noir I have ever seen. It has got a cocky detective investigating a complex mystery, lots of smoking and drinking, music that lulls the mind, and a hot woman or two.

    When Jake is approached by a woman who wants to find out if her husband has been cheating on her, he discourages her as not everything that could be found is worth
    finding out about. Sure enough, he finds that there is another girl and the story leaks to the papers. But then another woman, who is the real Mrs. Mulwray, shows up and threatens to sue him.

    Mr. Mulwray is frequently spotted around places looking at soil. Mrs. Mulwray lies with her every word. What is she hiding? Jake goes from one person to another in search of the truth. He knows there is something everyone is keeping from him. That is the whole mystery and what he must find out. No one is who they seem to be. People die and he is chased and escapes death several times.

    Mr. Mulwray is against the building of a dam, arguing that the last one that he helped build resulted in an accident that killed hundreds. The city is against him as they can't seem to understand his reasoning_ LA is going dry and something must be done.

    There are swindlers at every turn and when Jake comes upon them he is overwhelmed. Mrs. Mulwray is her only ally, and whether he likes it or not, or even trusts her, there's no one else who is going to believe the fantastic story he is going to tell them for the truth.

    The time and the life depicted_ 1930s was caught authentically with the set design, costumes, cars, rooms etc. Polanski lingers on the environment and lets us become a part of it and feel it completely. Chinatown is as much about the experience of that time as it is about the water dispute and the deaths surrounding it. The sense of despair, so essential to the genre, is exemplified in the ending. From the plot and the intrigue to the mind-boggling mystery to the set design to the character development, Chinatown is one of the most perfect films ever made.
  4. Jan 8, 2013
    The best Neo-Noir movie ever made. It combines all the intrinsic motivators of the sole and the hunting of human beings. It still got shunned from the Oscars though because of the godfather. I don't have much to say other than the best, simply the best
  5. Jul 14, 2013
    I hate Roman Polinski but sometimes criminals can be masters. "Politicians, ugly buildings and whores all get respectable if they last long enough," says John Huston's crooked construction magnate Noah Cross in this remarkable neo-noir by Roman Polanski, now nationally rereleased in cinemas (like Repulsion) in connection with a retrospective at London's BFI Southbank. What the passage of time has done for this superlative 1974 film is progressively lessen our sense of its being simply a modern pastiche of the classic 30s gumshoe thrillers. The time-gap has narrowed, and it now looks like a classic in a direct line of succession to those earlier pictures.
    As bruised and cynical as the decade that produced it, this noir classic benefits from Robert Towne's brilliant screenplay, director Roman Polanski's steady hand, and wonderful performances from Jack Nicholson and Faye Dunaway.

Universal acclaim - based on 10 Critics

Critic score distribution:
  1. Positive: 10 out of 10
  2. Mixed: 0 out of 10
  3. Negative: 0 out of 10
  1. 100
    A nearly flawless example of movie composition, with close examination revealing how carefully it was put together. For those who take a less studious and more visceral approach to movie viewing, it's also worth noting that Chinatown is a superior thriller - one that will keep viewers involved and "in the moment" until the final, mournful scene has come to a conclusion.
  2. 63
    As much as I admire the work of both (Roman) Polanski and (Jack) Nicholson, I found Chinatown tedious from beginning to just before the end. [15 July 1974]
  3. Reviewed by: Don Druker
    A bit abstract, though gorgeously shot (by John Alonzo) and cleverly plotted (by Robert Towne), Polanski's film suggests that the rules of the game are written in some strange, untranslatable language, and that everyone's an alien and, ultimately, a victim.