Cloud Atlas places you in the lives of six individuals, separated by race, gender, time and culture, and establishes a feeling akin to walking into a library, filled with timeless books of the past, present and future, with no intent to leave. Each story is intelligently edited and narrated, as common themes and plot progressions flow into one another. The acting, makeup and imagery are also excellent. This is a movie about love, institution, freedom, power and the amazing simplicity of the human nature. I do believe this philosophical dreadnought could not be steered by any other than the Wachowskis, and is most aptly described by many viewers as ambitious for its scope and diversity. As one of the characters describes, "A half-finished book is a half-finished love affair", I would, too, feel truly incomplete if the stories met no conclusion and were stopped short. I am not disappointed in the book-movie incongruities, as these two items establish themselves with different goals and visions of the same plane. While I understand this type of movie is not everyone's cup of tea, you will most definitely leave the movie theater acknowledging that it was a few dollars well-spent.… Collapse

This was a remarkable movie, and I enjoyed every minute of it. I did not read the book but now I intend to. I understand that this is not a movie for everybody, but it's a movie for adults. The music and editing was so well done and that is just a cherry on top of this homage to film, love, life, freedom and what it all means to us. Brilliant!!!

Never while watching a film, have I been so utterly perplexed. Even as the credits began to roll, my jaw was dropped, my eyes glued to the screen. What had I just witnessed? At that point, I wasn

Incoherent. Had about 40 places where it could have ended. Worst movie of the year. Just lost 3 hours of my life never to retrieve. Beware the same fate.

Very unique movie. I was thoroughly entertained throughout! The scope and performances are exceptional. This is a MUST SEE. Ignore the critics! The public rates this movie above an 8 everywhere and believe me, it deserves it. One of my favorite movies of the decade.

This is simply the best movie ever made. Nothing else in cinema history has ever come close to explaining what humanity is as cloud atlas details. DO NOT LET NAYSAYERS detract you. If you are a real person who makes real decisions and who has an attention span over three minutes you WILL appreciate this movie. It touches base on every single **** thing a human could ever want. I left the theater in tears, in a good way. Explains all the mysteries in the world meaning it explains nothing and leaves all thought pondering questions aloft, just like we already had and like it. GO SEE IT SHANIQUWA!!!!! ITS AMAZING CHANGED ME FOR THE BETTER… Expand

Cloud Atlas literally comes down to a jumble of incoherent stories that were supposed to be tied together in one way or another. However when attempting to tie these stories together the movie fell short and the only reasoning it gave you for why these stories are linked is the recurrence of characters and that is it besides some loosely based similarities in the stories that my friends and family sadly attempted to convince me of. If I were you I would save the money to go see this movie since I doubt most will be able to make any sense of the movies plot. I will only give this movie on more shot when it comes out on DVD and I can snag it for $1 at a RedBox to attempt to try and understand the story one last time. I say once more wait for this movie to come out on DVD and you get rent it for $1 because that is about all the movie is worth.… Expand

"Impressive". That's the best description I could come up with after being asked about my thoughts on Cloud Atlas immediately following the film's second-ever public screening in September at TIFF. This may be one the most ambitious and epic films I've ever seen, demanding rapt attention from viewers as they're taken on a two hour and forty three minute odyssey that spans the globe over 500 years and hopscotches between numerous interwoven storylines that incorporates just about every film genre available, featuring actors playing several different roles each. Cloud Atlas is based on British author David Mitchell's best-selling 2004 novel and was a huge challenge for the filmmakers to adapt and finance (its estimated budget of over $100 million also makes it the most expensive independent film ever made). The architects of this beautifully twisted madness are directors/writers/producers Tom Tykwer (Run Lola Run) and The Matrix's Wachowski siblings, Andy and Lana (Lana was Larry until a gender transition that was completed about five years ago). The Wachowskis, notoriously press shy, were surprisingly on hand (along with Tykwer) to introduce the film's second screening the morning after its star-studded TIFF world premiere on September 8th. A movie this expansive should have a large cast, considering how many characters appear - not so in this case, though. Principal actors Tom Hanks, Halle Berry, Hugh Grant, Jim Broadbent, Hugo Weaving, Jim Sturgess, and Xun Zhou each take on multiple roles that plays loose and fast with the actors' ages, races, and genders (Susan Sarandon, Keith David, James D'Arcy, and Doona Bae also have smaller roles). Having so many dimensions to explore with all of their characters must have been acting nirvana for this lot. For the most part, they pull off the various requirements of the roles, many of which require a significant amount of prosthetics and makeup. Several of the roles were so well disguised that I was completely clueless that a certain actor had played the role until the end credits visually made some of the big reveals. Sticking around until the end is an absolute necessity for Cloud Atlas - the oohs and ahhs from the theatre audience as they discovered who actually played some of the parts was a wonderfully unique filmgoing experience for me. For all of the positive aspects that the race bending and gender bending idea brings to the film, there is the distinct whiff of gimmick attached to it. Things do get a little silly when you have Weaving seemingly playing an Asian character whose makeup produces more of a Vulcan look (which may have been intentional on the filmmakers' part), as well as in full drag playing a Nurse Ratched-like character. The latter obviously has parallels to Lana Wachowski's own life and although the nurse character provides some decent laughs, I was a little hung up on how it seemed one of the character's main functions was to generate laughs purely based on the surreal sight of Weaving playing one truly ugly looking woman. Perhaps I'm reading too much into it. Weaving does provide one of Cloud Atlas' most memorable roles, as the seriously creepy Old Georgie, who terrorizes one of Hanks' many characters. Hanks does some of the best work I've ever seen from him, playing four different characters that range from an unscrupulous doctor in the 1800s to going far against type with maybe the film's standout character, a modern-day thuggish British writer named Dermot Hoggins who gets the ultimate revenge on a critic for a bad review. Berry is excellent with her main roles playing an ambitious reporter in 1970s San Francisco and a political figurehead (from what I could grasp) aligned with one of Hanks' characters in the far future, in one of the film's few storylines that doesn't quite work. Also great is Broadbent as both a composer and playing a man tricked into living in a retirement home, who provides the film's best comic relief. The weighty Cloud Atlas themes of interconnectedness, philosophy, reincarnation, oppression, and destiny, along with the film's highly challenging pace and complex non-linear storytelling construct will prove daunting to many - I was certainly lost a number of times. This is the type of daring film that demands multiple viewings to completely grasp the filmmakers' grand scope and there's nothing wrong with a little audaciousness from Hollywood once in a while. Even with a big-name cast, it'll be very interesting to see how the otherwise difficult-to-market Cloud Atlas will fare at the box office come late October.… Expand

This was a fantastic film, one that deserves to be seen and hopefully, whether you love or hate it, you will agree. I have not seen a movie in recent memory that has critics so divided. At one end you have Ebert giving it an absolutely perfect score, and at the other professionals giving it almost a 0. The movie begs to be experienced and not described. Watching the trailer will tell you really all you need to know, and it will give you most of the story as well. This is about the thirst for freedom and finding love along the way, as some natural, unmovable phenomenon. But it's also about simply being alive. Very worth a watch, but don't get up to pee, or you'll miss everything.… Expand

I read the book about a year ago, and this movie coming out had me excited to see how the Matrix directors would treat the source material. Overall, the movie was very well put together, even to the point where I felt more informed by the movie than by the book. The editor for this film should definitely get an Oscar nomination for best editing, because the way the film is put together really helps with pacing. I could have done without the homosexual makeout scene in the beginning, but other than that it was worth seeing.… Expand

EVEN BETTER THEN MATRIX 3! My god this movie was awesome at first I was skepitel from the bad reviews. Obviously from people who didn't like the matrix series and our just jelous. SO in all this movie is a beat see it now or miss out on an avdventre!

The movie was nothing special. It was 40 minutes longer than it supposed to be. The stories (and the story as a whole) was cliché ridden and very predictable. The "meaning" or "message" of the movie could be told in 20 minutes. I did not like how the directors cast their actors to different sexes, races. I think it was very distracting at some points. I did not like that some stories were too "funny" (retirement home storyline) and some stories were very dark in tone (Neo-Seoul storyline). I didn't feel the stories were coherent enough. Maybe with less directors it could have been a better movie. Overall average.… Expand

So 3 months ago I made this facebook group "Cloud Atlas Changed My Life: The Group" (look it up) to mingle with others who had their little minds blown by the 5 minute+ CLOUD ATLAS trailer. Now, after seeing the film last night and then sleeping on it, I feel it is one of the most ambitious, thought provoking, and dare I say "Libertarian" films of our time. In other words I LOVED IT. When I got home and began chatting in the group we were informed that the two editors of the trailer were hiding out in our group all along. It was the trailer that inspired me to do something about my weight and lose 40lbs since seeing it on July 27th. So I got to thank them, and I have to say that is pretty sweet indeed.… Expand

It's obviusly that some critics don't understand this amazing masterpiece. Cloud Atlas is one of the best movies of this year. The trama is complex but is excellent the development. The performances of Tom Hanks, Halle Berry, Hugo Weaving, Jim Strugess, Hugh Grant and the rest of the cast are awesome. And the screenplay, uff, is excellent. Cloud Atlas is one of the most wonderful movies of this year.… Expand

Not quite understanding all the hate for this film. It's really like nothing else I've ever seen, with each parallel story differing in scope and scale but matching in emotion and entertainment value. This movie gives you a lot to think about when you leave the theatre, but while you watch it, it washes over and envelops you like great cinema should.

The movie starts off asking for forgiveness through, through a narrative, for telling a story simultaneously from different vantage points. I decided to give the story the benefit of the doubt, and settled in for a ride without criticising it as it unfolded.

Many people say that the stories were loosely tied together, and were not that fundamentally symmetrical. That's the point imo. It is a story that shows how actions we choose echo through both past and future creating a new set of conditions which we have to then choose between. As we choose, the consequences good or bad echo through the ages yet again. That we are agents of free will but also have great influence in the creation and destruction of the possibilities we encounter. That Karma from our actions cascades back and forth between our 'past and future lives', and if we encounter events which we believe are out of our control in this life, it is because of our actions in another life are re-writing the conditions we face.

Overall I really enjoyed the story, the concept, the visuals, and sound. Really good movie.… Expand

Once you suspend your desire for a coherent story, you can relax and enjoy how the movie as a whole advocated a coherent theme. While the constant bridging between disparate stories can get on your nerves if you're looking for a full-film length fleshed out arc for each character, when you get upset over that you miss the greater beauty of the movie. Relax. When I focused on the big picture I truly enjoyed it.… Expand

This is a must see movie by far the best movie of the year. If you didn't like the movie it's probably because your close minded or you didn't pay attending. Movies like this are ahead of there time. I will be buying this movie when it comes out.

This movie will change you. You will love it or you will hate it, but you have to see it. Don't let the voices of others impede you from having a truly incredible experience!

Be open minded, laugh at the silly things that sometimes occur ( do note awesome things happen WAY more!) but never miss the overall message. It's entertaining, it's beautiful, and it will change you. Go see it, and don't listen to anyone else!… Expand

This is the best movie i've seen in years. I'll admit that 3 out of the 5 people in my group could not grasp what the movie was going for or understand how each story was connected, but I found this movie to be engaging and keep my brain attentive and intrigued. I liked the way it gave you a little of each story at a time and switched back and forth to the point where you're about to burst with excitement by the time they wrap everything up. It is immersive and fun, with laughs and wit trucked everywhere. If you have trouble following a seemingly random and rambling storyline or don't have an appreciation for the cosmic and endless battle of good verses evil, this movie may not be for you. I don't want to give things away or spoil the movie, but this is not a "normal" movie and if you don't pay attention, you won't get it and you won't like it. If you have an open mind and are looking for excitement and entertainment, look no further. Amazing movie. More than just a flash in the pan "here's 10$ can I see some explosions and/or **** While it does have both, they are certainly not the focal poi t of this movie. Just go see it for yourself.… Expand

An incredibly ambitious and gorgeous cinematic masterpiece. Cloud Atlas tells the story of the human experience and the transcendental traits that link us through time, race, gender, love and hate. The challenge of the movie is to not be distracted by the varying story-lines that are are at once intertwined yet wholly independent but to allow the entirety of the experience to exist as one fantastic homage to humanity in all its forms and epochs. It is not one story but the entirety of the experience as it washes over you that you find the beauty in this film.… Expand

What an amazing experience watching Cloud Atlas was. The film on a visual level is astounding on so many levels. And what levels this film had. Too many critics have been saying how this film is about how we are all connected but they are mistaken. On a dramatic level I was thrilled and on a intelectual level I was engaged for three hours. When I guaranteed the Dark Knight Rises would be the best film of the year I did not know there would be as great as a film as Cloud Atlas.… Expand

For a fan of the novel, this movie adaptation was a wonderful gift, much better than we had a right to hope for. It captured both the creativity and the feel of the novel and embodied its themes beautifully. I have no idea how the movie would seem to someone who hadn't read the novel, though.

Epic Masterpiece - 10/10. But, should you disagree let's see "why" those who would rate Cloud Atlas lowly do so: 1. "It was all over the place and made no sense." 2. "Please go see something fun!" 3. "The movie was full of filthy language." 4. "Immature sexual scenes that were almost "American Pie" in immaturity." 5. "The focus was very negative and dark with no hope of anything or any kind."

6. "Too much focus on liberal values and viewpoints."

7. "Conviluted."

8. "Right at the beginning we find the first love affair is between two gay men..."

9. "I would suggest responsible parents to keep children away from this film."

10. "I think John Carter was a better made movie."

11. "Speilberg should be ashamed!"

The foregoing are associated with low ratings and these are their reasons. To my mind, they speak to the LCD of the American psyche.

Go see Cloud Atlas. Now. It is majestic - You have no excuse.… Expand

This multi-level film is based on the novel of the same name, which interweaves 6 stories from various time periods with actors playing multiple characters. This means elaborate makeup, as they cast Tom Hanks, Halle Berry and other cast members in as many as 6 roles. The messages of universal continuity and connectedness are hammered home as the drama and action unfolds. While it's realized with masterful skill by the Wachowskis (best known for the "Matrix" series) and Tom Tykwer ("Run Lola Run"), the slow-moving stories take up almost 3 hours. Visually, it's often spectacular (despite the sometimes embarrassing makeup), but as entertainment or inspiration it gets downright tedious.… Expand

When I went to see this film, I had just finished the book, and I decided to be mindful of the fact that the book is so uniquely structured and long, and as most people stated before the movie came out, "virtually unfilmable." So let me start with the good: I have to applaud the filmmakers for their ambitious attempts and I don't consider the film and utter failure, however: they made some fundamentally bad decisions, starting with the cast. It's not that I hate the actors they chose (I have neutral-to-generally-positive feelings towards most of them), it's how they chose to cast them for multiple roles: they were trying to instill the idea of reincarnation, which I think they conveyed just fine in their many many overdone narrative monologues. I also found the choice to cast actors for multiple parts of such different races distasteful: I hear people talking about the film deserving best make-up awards, but I did not, for a moment, believe that any of the characters looked like the race they were supposed to be portraying. The attempts were unsuccessful and frankly, to me (a European-Asian-American), genuinely offensive. The actors themselves, were neither terrible nor great. The intercutting of the different scenes was, for the most part, clever, and probably the best way they could have translated the structure of the novel into filmic language. There are also immense plot changes that I won't even bother to get into, because they alone are not my biggest gripe with the film. Its biggest flaw is that it robs the book of its ideology and turns what is a very complex narrative into what is in comparison, a banal film about interwoven love stories. David Mitchell expressed his full support for the film, but if I were him, I would be appalled at the overromanticized diluted three-hour mess the filmmakers turned a great novel into.
If you enjoyed the movie as is, without the book, I can understand. However, consider reading the book. To me, it felt that when I watched the movie, I really only glimpsed the tip of the iceberg: there is so much more to the book and it's worth a read to get a better understanding and much more fleshed-out version of each nested story, not to mention some VITAL themes that were left out of the movie altogether.… Expand

It's somewhat difficult for me to pinpoint why exactly I love "Cloud Atlas" as much as I do, but i think if I were to find one thing above all else (and this is something that has been true of the Wachowskis throughout their entire career) it is that the movie is not afraid to expect a lot from its audience without trying to come of as exclusive. Far too often, big blockbuster films are sanded down to be as palatable as humanly possible. They can't be too complex or challenging or else they might scare off potential audience members. Similarly, movies that do expect a lot from their audiences generally proceed as though they are more interested in being ~artistic~ than actually engaging their audience. "Cloud Atlas" is a very rare mixture between the two. It is a very demanding film. It tries your patience, it doesn't try to simplify itself, and for some it will possibly offend. If some aspect of the film repulses you or you simply have a tendency to cynically disengage from films that actively try to be different or have a message, I imagine you will not enjoy this movie. And if you do wish to engage with the film on the level that it expects you to, then I can guarantee that you will feel exhausted by the end of it. But I also believe that if you do fully engage with the film, you will have a very powerful and deeply moving film-going experience. The film bounces between six different stories as a sort of stream of consciousness. The film is still somewhat chronological in that all of the simultaneous stories move along at roughly the same pace (you don't have situations where one film is climaxing while the other is still building) but the cuts between the stories ask you to multitask. Put one story on hold while you jump into another. As someone with ADHD, I would say this movie is the best way I could explain what it is like. Something in a scene sort of triggers a scene from a different story to pop out, leaving the previous story on hold until something brings it back. The movie is basically a stream of tangents that all end up moving together in the same general arc. Not only that, but all of the stories, while sharing the same basic themes, are vastly different in tone and genre. On TOP of that, the film makes use of makeup techniques that are inarguably racist in order to both maintain a sense of continuity and also to perhaps provoke that sense of racism so that we as an audience can carry that with us and connect it with our lives. This is a lot to ask of an audience, and while I acknowledge that not everyone wants to play along, the film is not taking these risks for the sake of self-indulgence. At least, that's not what I believe that it is doing. These decisions don't feel like they were made in order to be ~unique~ or whatever, but because they directors believed that they made the film better. I felt like the same conversation came up whenever they discussed how they should approach something within the film, if anyone involved expressed doubt that the audience would go for it, they insisted that they give the audience more credit than that. The film asks a lot of its audience, yes, but it's not shouting from a mountain of superiority, arrogantly proclaiming that if you don't get it than you are a simpleton. It humbly places itself into the viewers hands, respectfully asks for your patience, and then unfolds. It's true that I'm probably more inclined to be patient with this film than others might be. I've always been fond of the Wachowskis' work and pretty much all of the genres involved within the film are genres that I have some degree of affection for. Additionally, the film's unusual method of movement really clicked with me, perhaps because that tangential stream of consciousness is how my mind tends to work. But I'm not giving this film a 10/10 simply because I truly loved it, but because the movie was willing to be different in order to achieve that level of connection with the audience, even if it meant risking losing a part of that audience. And it wasn't just different for the sake of being different. Every time it did something that would probably make an executive nervous, it was for a very specific reason, and that reason was almost always "To improve the film". It wasn't breaking the mold for the sake of it. It was breaking the mold because there was no mold that could properly convey what this film was trying to do. The biggest problem with film (and other popular visual media) is that the creators are often afraid to say what they want to say exactly how they want to say it because it is generally believed that art should be able to speak to as large an audience as possible. The problem is that it is often misconstrued to mean that art should be LIKED by as wide an audience as possible. Even though "Cloud Atlas" won't work for a lot of people, it's not for lack of trying. "Cloud Atlas" knows what it wants to be and is very honest about it. To me, that is most admirable.… Expand

Words cannot describe how amazing this movie was. I felt so many things while watching this movie and still felt them on the drive home. Go and see it!