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100It's also that he's really, honest-to-God, got one of those movie faces that doesn't even come along once every generation. It's astonishing.
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88It's Corbijn, shooting with a poet's eye in a harshly stunning black-and-white, who cuts to the soul of Ian's life and music. You don't watch this movie, you live it.
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88One of the most perceptive of rock music biopics.
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88Control doesn't claim to know the reasons Curtis killed himself. The act of suicide poses the question why, but rarely answers it, leaving the living to wonder, and to grieve. And there's certainly grief to be had in Control, but also joy. Really.
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75The cast is excellent, particularly Riley and Morton and, as Joy Division’s brash manager, Toby Kebbell. He’s a great character, bitter and hostile and a scoundrel: a born manager of talent destined to tear itself apart.
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75A rock bio minus the fun. The sex is guilt-stricken, the drugs are used to treat epilepsy, and the rock 'n' roll is about isolation and despair.
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75The result is both a surprisingly lucid portrayal of clinical depression and dramatically a bit stiff.
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75In essence, Control is a standard order biopic of a tormented artist. What makes the film interesting, if not unique, is the style in which director Anton Corbijn has elected to present it.
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75The result is a good movie that falls short of greatness by aping too well the behaviour of its subject – occasionally brilliant, sometimes mundane.
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63To my detached eye, this slender biography suggests that Curtis went from a faintly interested glam-rock wannabe of 16 to a mildly talented performer to a quietly glum fellow of 23 whose frustrations drove him to suicide.
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50There's little illumination.
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100Even though we're aware of the tragic trajectory of the singer's life, for a while it almost seems as if reality got it wrong and Curtis might just squeak past the reaper's scythe with no more than a shave and a haircut.
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91Even if you have no interest in Joy Division, this picture is worth seeing for the unsentimental empathy and passion of the moviemaking.
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83Control goes past the clichés of punk rock-god gloom to offer a snapshot of alienation that's shockingly humane.
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67Control is director Anton Corbijin's first feature, and he too frequently makes the mistake of falling back on his rock video skills.
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90You don’t have to know anything about Joy Division to grasp the mysterious sorrow at its heart.
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80Lovely and deeply touching picture.
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80Control honors its subject’s eternal self-doubt by honing in on that truth and leaving the legend to others.
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80Control keeps you riveted in ways that "24 Hour Party People" doesn't, primarily because of the investment of craft and conviction by all concerned.
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80Corbijn makes us achingly aware of the singer's talent, the haunting poetry of his songs and how, living in the gloomy culture he did, his passing was virtually inevitable.
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80Those who worship Joy Division may bridle at Corbijn’s film for its reluctance to mythologize their hero. Speaking as someone so irretrievably square that I not only never listened to the band but didn’t even know anyone who liked it, I can’t imagine a tribute more fitting than this.
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70Sam Riley is fascinating as Curtis, a hypersensitive young man hobbled by his incurable disease, and Samantha Morton is poignant as his put-upon wife.
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Despite excellent performances from Samantha Morton, Craig Parkinson, and the radiant Toby Kebbell, along with a noble effort from pretty newcomer Sam Riley as Curtis himself, Control is like a wake where the guests forgot to bring the booze and, for the most part, have nothing very nice or even particularly interesting to say about the deceased.
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67The story of Control's creation is the story of great potential, squandered. Joy Division fans should be able to relate.
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75Morton's as good an actress as any working today and in Control, she overcomes an age gap to give one of the year's most heartbreaking and honest performances.
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75A romantic victim to the end, this Ian Curtis is all that worshipful fans could ever hope for.
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83Can a movie about such a fellow and such a fate be lovely? And can it uplift? Control is and, in its artfulness, does.
User score distribution:
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Positive: 20 out of 24
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Mixed: 0 out of 24
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Negative: 4 out of 24
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The result is a shockingly human and aptly perceptive biopic.
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8
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KyleB.10