- Studio: Lionsgate
- Release Date: Feb 14, 2007
User Score
5.6
out of 10
Mixed or average reviews- based on 18 Ratings
User score distribution:
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Positive: 11 out of 18
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Mixed: 1 out of 18
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Negative: 6 out of 18
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ThelmaJ.Feb 20, 20078This movie was so different from Perry's usual style that I was thoroughly impressed. Elba and Union were just terrific. However, I really wish that the movie would have included how 'Julia's' friends dealt with her decision to go with her heart and not her socioeconomic status.
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DeeD.Feb 15, 200710I love this movie ! It was great and very touching. Keep up the GREAT WORK Tyler! Love ya much! God Bless.
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ReidF.Feb 24, 20076A good message movie for young adults.
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[Anonymous]Feb 14, 200710A romantic gem. One of the best african american comedy-romances of all time.
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SpongeeeFeb 16, 20076
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ScC.Feb 22, 20072Movie was not well scripted. Too predictable, not enough details to back up story. Very bad acting from most of the characters.
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T.PerryFanFeb 23, 20078This movie showed that Tyler Perry can go beyond the silliness of the Medea films. Not to knock them, there were excellent films with a message and humor. But this one puts the plight of a strong black man in the forefront. Yes it maybe a repeative theme, but it works and the uplifting message is always a plus.
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LakishaD.Feb 15, 200710
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SheilaE.Feb 16, 20075
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SusanH.Mar 24, 20076It got carried away with the bad guys in it but all in all it was an enjoyable movie that brought a tear to my eye.
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Dec 13, 20113
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50Daddy's Little Girls may be heavy-handed and drearily predictable, but it also should connect with its core audience as solidly as Perry's previous efforts did, even if the drama is frequently just as over the top as its predecessors.
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60Chockfull of cathartic moments, Perry's storytelling is best when it defies convention. Like the black man's Frank Capra, Perry tells stories in which every conflict is a test of faith and every victory a testament to the American underdog. Instead of following the proven formulas of screenwriting books, he earnestly shepherds his own messy structure.
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More surprising is Perry's inability to write back-and-forth dialogue with any real wit or verve. He is at his best when writing speeches, and some of the film's best moments come when Union is given snappy monologues on the state of contemporary relationships and African American maleness.