- Studio: Kino International
- Release Date: Jun 25, 2010
- Critic Score
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100How perfectly perverse: In a summer crammed with sequels, remakes, '80s nostalgia and the frustrated sense of "What else y'got?" comes the most original nightmare in years.
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100Dogtooth, a bizarre black comedy from Greece that won the Un Certain Regard prize at the 2009 Cannes film festival, involves a conventional middle-class family--mom, dad, teenage son, two teenage daughters--that turns out to be warped beyond belief.
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100It's an exhilaratingly unpredictable experience, and not an easy one to shake.
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88Lanthumos's accomplished and fascinating Dogtooth pushes the notion of parents screwing up their kids into seriously disturbing and darkly comic terrain.
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80A brightly lit nightmare of patriarchy run amok.
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80As harrowing as it is humorous, Giorgos Lanthimos' award-winning journey to a family's heart of darkness is unflinchingly detailed, thought-provoking fare.
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80Dogtooth will begin to open the door for U.S. specialty audiences to discover Lanthimos as a new master and anticipate his future films.
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75Dogtooth is like a car crash. You cannot look away. The Greek director Yorgos Lanthimos tells his story with complete command of visuals and performances. His cinematography is like a series of family photographs of a family with something wrong with it.
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75A highly original black comedy from Greece -- and one of the weirdest movies I've seen in a long time.
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Doesn't rank as a great film, but it's difficult to take your eyes off it, as you wonder what impossibly bizarre thing might happen next.
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75Dogtooth is slightly less self-congratulatory than the average Dogme movie, a few of which belong to Lars von Trier. This feels, instead, more like an extreme summer at a Dadaist acting camp.
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70Horror and cold humor commingle in Dogtooth, a Greek import whose screenwriters approach scenario construction like misanthropic social scientists planning an experiment -- one whose result suggests that governments might want to rethink policies allowing parents to home-school their children.
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Director Giorgos Lanthimos lays out the rules largely through action rather than exposition, which allows Dogtooth to play as a richly satisfying, blackly comic mystery in spite of its delayed, horror-sourced housebreak plot.
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70The Greek helmer's sophomore picture does exude a strange fascination throughout.
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Jan 6, 201160Though its elusive character is undoubtedly part of its strength, Dogtooth ends up feeling somehow like a dodge and a sidestep. As a film, it's pure and singular, but it's not quite fully formed enough to be what one could call truly visionary.
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50Dogtooth supplies no such explanation and at times seems as much an exercise in perversity as an examination of it.
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20The father is the only one who can leave the house to go to his factory job, and that seems like a paradise for viewers trapped watching this clinically shot claptrap.
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User score distribution:
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Positive: 10 out of 14
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Mixed: 3 out of 14
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Negative: 1 out of 14
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