• Starring: Bryan Cranston, Carey Mulligan, Ryan Gosling
  • Summary: Drive is the story of a Hollywood stunt driver by day, a loner by nature, who moonlights as a top-notch getaway driver-for-hire in the criminal underworld. He finds himself a target for some of LA's most dangerous men after agreeing to aid the husband of his beautiful neighbor, Irene. When the job goes dangerously awry, the only way he can keep Irene and her son alive is to do what he does best—Drive! (FilmDistrict) Expand
Score distribution:
  1. Positive: 35 out of 40
  2. Negative: 0 out of 40
  1. Reviewed by: Ann Hornaday
    Sep 15, 2011
    100
    Low-key, sleek and sophisticated, Drive provides the visceral pleasures of pulp without sacrificing art. It's cool and smart. Some critics might even call it European.
  2. Reviewed by: Joe Morgenstern
    Sep 15, 2011
    100
    Few actors working today could make emotional sense of such a protean character, but Ryan Gosling does so with calm authority. He's a formidable presence in a film that grabs your gaze and won't let go except for moments when you can't help but look away.
  3. Reviewed by: Kenneth Turan
    Sep 15, 2011
    60
    Drive is a Los Angeles neo-noir, a neon-lit crime story made with lots of visual style. It's a film in love with both traditional noir mythology and ultra-modern violence, a combination that is not ideal.

See all 40 Critic Reviews

Score distribution:
  1. Negative: 56 out of 272
  1. Easily one of the best films of 2011. The opening 5 minutes of Drive are simply extraordinary: zero music and virtually no dialogue, just the Driver outrunning the cops after a burglary. If you aren't instantly drawn in by the opening chase sequence, your favorite movie is most likely Transformers and you do not deserve to see the greatness this film beholds. This raw and realistic film is falsely advertised by its trailers; they make it seem like a hardcore action flick, but it turns out to be an intensely character driven story with very minimal, but effective, dialogue that progresses the story at a continuously entertaining pace. The cinematography is some of the best I've seen in years: it seems effortlessly smooth and endlessly creative. The plot is simple, but Refn's execution is, in part, what makes the film ultimately stand out. Another crucial part to what makes this film so enticing is its ruthless depiction of violence. I KNOW that some (actually, a lot of) people are turned away, or dislike, Drive solely because of its graphic violence. These people are dumb; IT'S A MOVIE (not real). The violence is as realistic as it gets, without being over-exaggerated to the point of blood spraying 10 feet into the air in all directions when someone gets stabbed. There ARE some very graphic scenes, but I feel that it's a reflection of the characters (especially Albert Brook's and Ryan Gosling's characters). Most of the film is actually absent of action/violence, in which i was pleasantly surprised by. It's probably a 75/25 split. Overall, if you have any appreciation of good film, you definitely need to see this film. It's amazing and should win a handful of Oscars. Expand
    • 8 of 8 users said yes
  2. I tried to give this movie a chance. I like films that do something different. The first five minutes were great. Then, the rest of the movie happened. The main character was so unrealistic when it came to human interaction it was painful to watch. It was like he was mentally handicapped or stunted, and that is to put it lightly. I am glad that I didn't pay to see this film in theaters. The action was so-so, but I was just glad it was only 100 minutes. I found myself almost asleep thirty minutes in. How this movie got critical acclaim is beyond me, and I am a movie guy who likes quirky films. Expand
    • 0 of 0 users said yes
  3. pcg
    1
    Awful. The first scene is good, and might even be great if it weren't followed by 90 minutes of frustrating, boring (and, occasionally, nauseating) cinema. The acting feels like it tries to be minimalistic, pensive, and mysterious; it come off as dull, wooden, and self-important. The movie doesn't go anywhere and doesn't say anything, and remains a "style over substance" effort. Unfortunately, even the style is confusing at best: the pink lipstick credits, the Casio synth sound, the cheesy "Thunderdome"-style power ballad... if this movie had been made in the 80s, it might have some B-movie credibility. As a movie made 20 years after the 80s ended, Drive feels bewildering and artificial. And that's not even to say anything about the degrading, absurd violence; you don't have to be "faint of heart" to be disgusted with the blood spillage in Drive. I rarely have such a visceral reaction to a movie as I did with Drive. I could not for the life of me understand why such a movie is even made, as it is an exercise in empty style... and a D effort at that. Expand
    • 8 of 18 users said yes

See all 272 User Reviews

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