Metascore
81

Universal acclaim - based on 16 Critics

Critic score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16
  1. Reviewed by: Roger Ebert
    Feb 20, 2013
    100
    Beresford is able to move us, one small step at a time, into the hearts of his characters. He never steps wrong on his way to a luminous final scene in which we are invited to regard one of the most privileged mysteries of life, the moment when two people allow each other to see inside.
  2. Reviewed by: Jay Carr
    Feb 20, 2013
    100
    Driving Miss Daisy, about the deepening relationship between a Jewish matron in Atlanta and her black chauffeur, is a luminous joy of a film, heartbreakingly delicate, effortlessly able through indirection to invoke the civil rights era without ever once slipping into portentous pronouncements. [12 Jan. 1990, p.35]
  3. Reviewed by: Joe Pollack
    Feb 20, 2013
    100
    This is Daisy's story, and Hoke's story. It's a beautiful story, filled with warmth and compassion. It was a glorious evening of theater when I saw it, and it's just as glorious on the screen. [12 Jan. 1990, p.3F]
  4. 100
    Director Bruce Beresford's tightly focused adaptation retains all the impact of its Pulitzer Prize-winning stage original. Jessica Tandy and Morgan Freeman give exceptional performances as the aging widow and the sage black chauffeur who enlightens her in the segregated South.
  5. Reviewed by: Jay Boyar
    Feb 20, 2013
    100
    This is a story about people, not politics. And perhaps because we can see the actors in closeup on the screen, that is even truer of the movie than the play. When you leave this film, you're not thinking, "My, what an important story!" When Driving Miss Daisy is over, you think, "I sure will miss those folks." [12 Jan. 1990, p.12]
  6. Reviewed by: Staff [Not Credited]
    Feb 20, 2013
    90
    Bruce Beresford's sensitive direction complements Alfred Uhry's skillful adapation of his Pulitzer Prize-winning play.
  7. Reviewed by: Ted Mahar
    Feb 20, 2013
    88
    Freeman and Tandy are the whole film, and their interplay is marvelous to watch and hear. [12 Jan. 1990, p.G7]
  8. Reviewed by: Peter Travers
    Feb 20, 2013
    88
    Freeman's nuanced acting is a marvel.
  9. Reviewed by: Mike Clark
    Feb 20, 2013
    88
    Here's an ''opened-up'' film of a fragile, sentimental play that doesn't overemphasize every dramatic point, and doesn't tromp on every minefield in the material. [13 Dec 1989, p.1D]
User Score
9.0

Universal acclaim- based on 36 Ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Mar 6, 2013
    7
    Good movie which depicts the friendship between two people who are very different, yet very similar in many ways. Morgan Freeman's character (Hoke) is an African-American driver who never attended school, but has wisdom and common sense. Jessica Tandy's character (Miss Daisy) on the other hand is a rich, educated Jewish woman. Through the film these people slowly open up to each other and form a bond. The movie also depicts the many racial and religious issues of the 1950s America. It is worth a look, but I am not sure it deserved 4 Oscars (Jessica Tandy's and Morgan Freeman's performance were great though). Dan Aykroyd's character felt underdeveloped, though He was in a sympathetic role. Overall worth a look, but nothing outstanding, just good. Full Review »
  2. Jun 18, 2013
    8
    Driving Mrs Daisey is a sweet and touching. Fenominal acting. Grows with you over the years. A true classic of a tale. Will make you cry. Awesome!!!!!