- Studio: Lions Gate Films
- Release Date: Apr 12, 2002
- Critic Score
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100Andrea Yates believed she was possessed by Satan and could save her children by drowning them. Frailty is as chilling.
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90Paxton's Dad may be the most terrifying father to appear in a horror film since Jack Nicholson went crazily homicidal in "The Shining."
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90A resoundingly old-fashioned and well crafted study of evil infecting an American family, Frailty moves from strength to strength on its deceptive narrative course.
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88Genuinely creepy Southern Gothic thriller that once again proves that in horror movies, sometimes less is actually more.
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80So immodestly unripe; yet so horrendously tempting you’ll find it hard to resist.
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80The film becomes cumulatively stranger as it goes along, and it has a lulu of a kicker.
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80It's a small, unassuming movie grasping at whole-hog homo psychopathicus, with its feet planted squarely in Texan grave dirt and its head lost in the ether of Christian derangement.
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80Well-crafted, disturbing Texas gothic thriller, a completely spooky piece of business that gets under your skin and, some plot blips aside, stays there for the duration.
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It's good old-fashioned rural gothic that would make Flannery O'Connor proud, with tricky switcheroos that keep shaking up our assumptions about what's going on.
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75It's the cinematic equivalent of a good page-turner, and even if it's nonsense, its claws dig surprisingly deep.
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75Blood-curdling stuff.
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75You'll depart with memories of a well-crafted study in quiet horror, and with ideas whirling in your head about the nature of evil and what happens to children caught in its grip.
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75Against all odds in heaven and hell, it creeped me out just fine.
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75Somber and violent but undeniably stylish and unsettling thriller.
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70You have to give credit to Frailty for jiggering up the formula a bit, so that what starts as an ominously low-key study of a boy coming of age with a mad father escalates into a combination of "The Texas Chainsaw Massacre" and "Breaking the Waves" -- Grand Guignol religiosity.
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70May leave you more cold and stunned than enlightened.
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67Chills to the bone -- and beyond, but for pure excitement it's best not to look far beneath the surface.
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63Most of Frailty is so good -- done in a low-key, realistic mood of genuine creepiness and dread -- that it doesn't need formula shocks.
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63The payoff isn't worth the time invested, but at least the actor-turned-filmmaker underplays an inherently queasy project that could have been over the top.
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63As disappointing as the wrap-up is, it can't erase the chilling psychological warfare that represents the majority of what precedes it.
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60Paxton is impressively subtle and elicits remarkable performances from O'Leary and Sumpter.
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60Starts out, and ends up, as a thriller trying valiantly to show us layers of moral depth. But in between that beginning and ending, Paxton's vision (as well as that of Brent Hanley, who wrote the script) becomes wavy and indistinct, a blurry muddle of sensationalistic, prurient grisliness masquerading as a meditation on the nature of evil.
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60Audiences are destined to debate the film's final scenes, where Hanley piles on plot twists, leading to a coda that turns a creepily ambiguous story about God and the terrifying power of paternal love into something closer to an X-File.
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50There's a good little psychological thriller buried underneath all the manufactured shocks, in the story of a powerless child standing alone against a parent's mental illness.
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50Murder should either be unsparingly real or kitschy like the ''Texas Chainsaw Massacre.'' This is neither.
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50This is a guy movie, a gothic creepshow.
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50Gory but lifeless.
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50The story sounds horrifying, but the film takes some unfortunate twists and never presents us with a multifaceted character in Paxton. Paxton just doesn't play the nice-but-nuts role with a modicum of terror.
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50Like so many other allegedly scary movies, it gets so tangled up in The Twist that it chokes the energy right out of the very audience it seeks to frighten.
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40When the twists arrive, they feel like much of the film: creepy and cliché-free, but still terribly wrong.
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30The movie is so disturbing that it seems nearly blasphemous. I wouldn't wish it on an anthrax spore. After all, anthrax has feelings, too.
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Dumb but also unrelentingly dark and ugly, thereby depriving the viewer of any camp value.
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User score distribution:
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Positive: 22 out of 34
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Mixed: 6 out of 34
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Negative: 6 out of 34
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2This review contains spoilers, click full review link to view.