- Studio: Sony Pictures Classics
- Release Date: Aug 1, 2008
- Critic Score
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100Sometimes two performances come along that are so perfectly matched that no overt signals are needed to show how the characters feel about each other. That's what happens between Melissa Leo and Misty Upham in Frozen River.
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100There is nothing sentimental or picturesque about the performances or imagery. The word that best describes both is elemental.
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100It's tough and cold and gives an inside look at poverty in America. Yet the film is also incredibly compelling and intense and I can't think of another film that's this small and powerful.
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100As the summer heats up, let Frozen River wash over you; let its bracing drama and the intensity of its acting restore your spirits as well as your faith in American independent film.
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100In the end, you feel that Frozen River gives about as truthful a picture of American bleakness as it's possible for a movie to present. It is a movie that asks something of an audience, but it richly rewards our curiously rapt attention.
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91A tale of ordinary Americans scraping bottom, yet there's a redemption in that. The film asks: If you were this desperate, wouldn't you do the same?
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90Ms. Hunt's eye for detail has the precision of a short story writer's. She misses nothing.
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90This is a debut feature, though you'd never know it from the filmmaker's commandingly confident style, or from the heartbreaking beauty -- heartbreaking, then heartmending -- of Melissa Leo's performance as a poor single mother who's living her whole life on thin ice.
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90Made with uncommon skill and assurance, the film never succumbs to rank sentimentality, but it manages to get at the nuances of human relationships.
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Possibly one of the biggest reasons Frozen River stands out among bad-decision movies is that Ray never really tries to justify her actions.
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88There is no shortage of indie movies about economically challenged women. This one is different, in that the women actually do something besides just talk about it.
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88Strikingly authentic, socially conscious crime drama.
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88A Sundance hit that is both absorbing and bleak, Frozen River is anchored by powerful performances, believable scenarios and excellent writing.
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88Does what too many independent American movies only pretend to do: Takes you to an unnoticed corner of our country and shows what it's like to actually live there.
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83Melissa Leo is startlingly good...You feel like you're watching a life, not a performance.
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80Original, sad, suspenseful and involving: the kind of work that helps independent American cinema retain its good name.
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80Frozen River isn't cinematically ambitious or formally adventurous, but it's built around powerful and nuanced performances by Leo, Upham and Charlie McDermott.
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If there's one thing this movie gets dead right, it's the desperation of impoverished single mothers trying to fend for their children.
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80A first-rate thriller, maintaining a high level of suspense.
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78Frozen River skates matter-of-factly on thin ice.
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75The film's greatest achievement is that it allows us to know Ray.
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75A solid, satisfying movie.
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75Melissa Leo is one of America's most underrated character actresses, and Frozen River confirms that opinion.
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75It's not a happy film, but it feels true.
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75Most films about illegal immigration are set on the Mexican border, and Frozen River is free of the stereotypical characters and situations of that familiar setting. It also offers a rare look at modern Native American life, exploring the ambiguity of what it means to say that the laws of the white man cannot be enforced on Indian territory.
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75If the role brings her more recognition and work, all the better, but Leo certainly isn't lobbying for it. She doesn't show off. She just does what she's always done: Reveals a character for who she is, nothing more, nothing less.
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70All in all, Frozen River is gripping stuff. Except it's also rigged and cheaply manipulative.
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70No trendsetter or breakthrough, this is more than anything else a welcome chance for the fine actor Melissa Leo to finally dominate a film in a terrific and affecting lead role.
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50If we're going to be honest, we need to look inside and ask ourselves: Do we really want to see a listless movie about a woman whose dream is to move into a double-wide trailer?
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40Has moments of honesty, but more often the barren landscape - both outside and inside - drains the emotions out of the film.
User score distribution:
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Positive: 14 out of 18
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Mixed: 0 out of 18
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Negative: 4 out of 18
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9
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MurielG.2
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JonahR.2