- Studio: Sony Pictures Classics
- Release Date: Oct 5, 2001
- Critic Score
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90Quite simply a treat for the ear.
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80It's to be expected that the music is going to be wonderful, and it is. But there is more to this film, a surprising amount more.
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80Think of this movie as a glorified home video rather than a bitingly insightful documentary. But for Garcia and Grisman, this soft-shoe approach couldn't be more appropriate.
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75The movie has a musical rather than a cinematic shape, defined by songs played in their entirety.
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75For music fans, there's great pleasure in hearing new audio tracks to "Sitting Here in Limbo," "Friend of the Devil" and more songs -- each one complete and unedited.
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75The pure joy of music-making is what this gem of a film is all about.
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This is a video stroll through a family scrapbook.
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70It's especially nice that all the songs on the soundtrack are heard in their entirety, even if the accompanying video footage is sometimes drawn from performances of different vintage.
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70Grisman's warm, loving home movie in the guise of a documentary.
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63A multilayered documentary that explores music and friendship, and in its own quiet way, the battle with fame.
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63You won't find many insights into the personalities, or even a hint of the demons that plagued Garcia until his death, but seeing the two men together -- keeps a smile on your face and your feet tapping throughout.
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63Though there are moderately interesting interviews interspersed throughout, Deadheads will want to see the numbers, in which Grisman's more formal style complements Garcia's looser approach to his music.
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It's like an 80-minute flip through the Grisman family photo album -- complete with live, unreleased soundtrack.
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60The music is fine, but there's little else here to hold the attention of non-Deadheads.
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60Grisman presents, with a sense of humor, the apparent contradictions of a complex personality.
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50A must for any Deadhead and of genuine interest to any music fan, even if its documentary chops hit a few sour notes.
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40Ultimately, Grateful Dawg will only be of real interest to musicology students and diehard Deadheads.
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40With no aspects of the personalities represented outside of their music, Grateful Dawg ends up feeling dry and incomplete; its two subjects are stripped of all other characteristics and come across as not very interesting.
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