- Studio: Twentieth Century Fox Film Corporation
- Release Date: Jan 28, 2005
- Critic Score
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75Surprises with its intensity and grip.
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70As cliche-ridden horror films go, Hide and Seek builds a pretty darn good mousetrap.
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63It's tightly paced and confidently styled. These times call for more daring in our horror films, but for this weekend, this will do the trick.
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58Hide and Seek, despite early signs of higher goals, is a factory-standard box of shocks.
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50It's not technically true to say the movie cheats, but let's say it abandons the truth and depth of its earlier scenes.
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50Its frights are not that chilling or original, its secrets more run-of-the-mill than astounding.
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50Aside from its relentless exploitation of a child, this minor thriller features an intriguing beginning, a middling middle and an increasingly silly end, with a multitude of red herrings going squoosh underfoot.
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50The movie's main purpose seems to be to make audiences squirm uncomfortably. Yelp and shriek in armchair-clawing glee? Not likely.
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50From the base-model script to the assembly-line thrills, everything about Hide and Seek is generic except its star.
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50Kind of a drag.
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50Through its first two-thirds, at least, Hide and Seek does a good enough job of piquing our curiosity that the movie's ultimate dumbness is more than a minor insult.
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50While the final revelation is laughably absurd, DeNiro and Fanning are so far inside their roles that one can't giggle for long.
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50The movie is OK for a January horror picture, but given the premise and the cast--it should wring you out emotionally as it's scaring you witless.
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50Jigh class briefly gives way to high camp, which then itself dissipates to an anticlimactic thud.
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42Takes itself seriously enough to pull off a clever bit of sleight of hand, but doesn't have much to offer once the twist comes out of hiding.
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40There are twist endings and there are twist endings -- and then there is the logic-strangling, complete cheat of a reveal that takes place in the final 10 minutes of Hide and Seek. It's so absolutely preposterous that it stops the film cold and draws a collective "Aw c'mon!"
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40The film's last 20 minutes devolve into a tedious slog through the kind of pointless, predictable running and screaming that give horror movies a bad name.
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40Aside from some effectively understated acting from the leads, there's not much to remember or recommend.
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40That Mr. De Niro and especially Miss Fanning manage to register through all this murk is a testament to their talent, which however squandered does nonetheless shine.
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40A routine haunted child psychothriller gussied up with A-list casting.
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38There's not a cliché that isn't nailed.
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38Ignore the hype. You won't find anything startling or memorable in the derivative Hide and Seek.
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38Far be it from me to spoil the secret, but I will say this: The last reel should've been sent straight to the city dump.
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30It all falls apart at the end, however, and in such a loud and abrasive way that it makes Brian De Palma's "Raising Cain" look like a model of restraint.
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30Like far too many junky post-"Sixth Sense" thrillers, Hide And Seek essentially exists for the sake of its third-act plot twist, but the climactic revelation merely pushes it from bad to worse.
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30Unless you're a connoisseur of movies that are so bad they're good, Hide and Seek is one game you're not going to want to play.
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30De Niro gives a crafty performance, and director John Polson (Swimfan) maintains a pleasantly low-key suspense. But the ending is a disappointment.
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A schlocky thriller choking under the weight of its own psychobabble.
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25A thriller without thrills. It's also a thriller that cheats. The story is stretched to feature length only by having the film's incidents arranged in such a way as to reveal as little as possible.
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25It is a ghastly experience, and I left the theater feeling as if I had waded neck-deep through a stream of raw sewage.
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20Polson offers up a few chilling scares, but the underwritten screenplay really does show off its weaknesses.
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20May steal from the best, but it does it so badly and obviously that it has to depend upon gratuitous shock-cuts and soundtrack stings to elicit any kind of reflex-action fright from the viewer.
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10Robert De Niro collects another stupendous paycheck for starring in another piece of exploitable junk.
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0Hide and Seek follows no semblance of internal logic--the unveiling of Charlie is a ludicrous cheat, the last reel a unique paroxysm of rancid idiocy.
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User score distribution:
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Positive: 18 out of 33
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Mixed: 5 out of 33
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Negative: 10 out of 33
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Alex10
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Amalia8A new way to scare people, is not just a stupid monster film, is psychologica fear, good acted and creepy.
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JessP.9I thought it was really good and it was jumpy and very twisted!!