Metascore

Generally favorable reviews - based on 9 Critics What's this?

User Score

Generally favorable reviews- based on 4 Ratings

  • Summary: At the dawn of the twentieth century, in a brothel in Paris, a prostitute's face is scarred and becomes a tragic smile. Life at the brothel is isolated from the outside world and it revolves around the "laughing lady". (Haute et Court Films)
Score distribution:
  1. Positive: 7 out of 9
  2. Negative: 0 out of 9
  1. Reviewed by: Phil Coldiron
    Nov 22, 2011
    100
    A brief history of time and space, according to Bertrand Bonello.
  2. Reviewed by: J. Hoberman
    Nov 22, 2011
    80
    The filmmaker gives full vent to his romanticism by staging an End of the Epoch party, with tearful sex workers dancing to "Nights in White Satin," then steps on the mood with yet another farewell fĂȘte, commemorating Bastille Day. The prisoners are free - to walk the streets. Ironic, no?
  3. Reviewed by: Ben Sachs
    Feb 9, 2012
    80
    Like Walter Benjamin, Bonello associates this insularity with both innocence and the 19th century; and when, in the final sequence of House of Pleasures, he dispenses with the security exuded by these subjects, the effect is like being shaken violently out of a dream.
  4. Reviewed by: Stephen Holden
    Dec 1, 2011
    60
    Throughout the film there is an abundance of sumptuously photographed flesh on view. But House of Pleasures is not an erotic stimulant so much as a slow-moving, increasingly tragic and claustrophobic operatic pageant set almost entirely in the brothel.

See all 9 Critic Reviews

Score distribution:
  1. Positive: 0 out of
  2. Mixed: 0 out of
  3. Negative: 0 out of

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