- Studio: Sony Pictures Classics
- Release Date: Aug 11, 2006
- Critic Score
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91The story plays out in the sensuous textures and hypnotic rhythms as the rebellious youth Torres embodies eases into a serenity and acceptance that Montenegro brings so gently to her performance.
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88In House of Sand, shifting sands are not a cliché; they provide the essential emotional and visual elements that make this film memorable.
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88Sensual, dreamlike, both intimate and epic, The House of Sand is a cinematic tour de force.
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83Montenegro, the star of "Central Station," and her daughter make a remarkable pair. They hold your attention even when the emptily portentous story does not.
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83Whether Waddington's film comes across as hypnotic or boring, mythic or pretentious, may depend on the viewer's mood or tolerance for quasi-allegorical storytelling. But, as the women in House of Sand learn, patience can sometimes be its own reward.
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80Full of looming symbolism, House of Sand is a brilliant tale following a family that brings a group of settlers into the middle of the desert to start a new life.
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80As original as it is lovely.
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80At first House of Sand may seem like a stark tale of survival, but a surprisingly lush and colorful romance blossoms in its bleak and gorgeous desert setting.
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80Magnificently renders a fresh view of life on planet Earth.
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80Visually dazzling, epic in its sweep and deeply romantic in its sensibility, The House of Sand is one of those films whose images and ideas linger long after the lights come on, having been burned into the viewer's consciousness.
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Soarez isn't really saying much with House of Sand, beyond marveling at the quirks of fate brought on by time. But the acting keeps it from floating into the ether.
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75This epic tale of survival, love and adjustment covers a 59-year period - from 1910, when a band of urban émigrés arrives to start a settlement, to 1969, when only one of them remains.
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75Ricardo Della Rosa's sumptuous, wide-screen cinematography takes full advantage of the sandy vista, complementing beautiful acting by Montenegro and Torres.
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75It's a grand outdoor spectacle (the only real interiors are within tents, and those are hard to come by) and a perfectly juicy melodrama.
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70It's an impressive film, beautifully photographed and marvelously acted. But is it more than a set of undeniably gorgeous affectations?
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70Andrucha Waddington's admirably pretentious epic of woman in nature makes the rare attempt to impart a purely visual experience
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67The House of Sand is a more transparently ambitious, prestigious "woman's picture" than Waddington's previous feature, 2000's "Me You Them."
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67House Of Sand is a gorgeous piece of cinema, but by the end, it just dries up and blows away.
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63After a positively thrilling first half, Brazilian director Andrucha Waddington's follow-up to his acclaimed 2000 debut "Me You Them" badly stumbles over an unfortunate casting strategy.
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63Whatever The House of Sand may lack in curb appeal, that view from the roof will have you gasping in wonderment.
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58The House of Sand's director, Andrucha Waddington, lays on the Awesome Visual Poetry and throws in a welter of story gimmicks, but it's all a bit too fancifully arid.
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50Most viewers will have no more fun watching this story than the characters do living it.
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50This pretentious 2005 art movie is somewhat interesting for its wide-screen photography of the striking locale, but the storytelling is awkward and confusing.
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User score distribution:
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Positive: 5 out of 5
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Mixed: 0 out of 5
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Negative: 0 out of 5
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TaniaK.10
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JohnA.8Excellent cinematography and acting. A moving story.
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AntonioJ.10One of the best Brazilian movies ever!