- Studio: Miramax Films
- Release Date: Jun 14, 1995
- Critic Score
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100An unforgettable, poetic romance from Italy whose disarming humor, blushing encounters and bittersweet flavors are certain to set off a groundswell of smiles, tears and regret.
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100A charming piece of cinema that takes several comfortable formulas and expands upon them in ingenious and emotionally-satisfying ways.
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90Made under unique and wrenching circumstances, it gained poignancy and a kind of purity from its troubles, and an already affecting film ended up suffused with emotion.
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90A rueful, warmly affecting film featuring a wonderful performance by Mr. Troisi, The Postman would be attention-getting even without the sadness that overshadows it. [14 June 1995, p. C15]
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88The beauty of the film is in its quietness.
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80The screenplay (which is credited to a small crowd: director Michael Radford, Anna Pavignano, Furio Scarpelli, Giacomo Scarpelli and Troisi) is refreshingly witty and restrained.
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An enchanting Italian serio-comedy about the most unlikely of cinematic subjects-the origins, structure and reach of poetry.
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80The film's warmth and sympathy are underlined by some intelligence.
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With lyrical beauty and memorable performances, The Postman articulates many feelings that seem to defy explanation.
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75The Postman (Il Postino) is slight, but it's tough to imagine anyone not liking it.
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70The film has a gentle political edge, knocking Marxists and Christian Democrats with equal cheerfulness, and Troisi's self-deprecating humor, sly delivery, and melancholic charm are inimitable.
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60Pic's potentially inspiring story too often remains grounded by a problematic script and unshapely direction.
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Troisi, who was a star in Italy, hasn't been seen widely in the United States, and from this film it is difficult to be certain how he achieved his fame.
User score distribution:
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Positive: 6 out of 8
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Mixed: 0 out of 8
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Negative: 2 out of 8
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RuthC9A beautiful film. The scenery alone is worth watching it for, if not the poetry, then the great performances.
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DamindraL.7