Metascore

Mixed or average reviews - based on 32 Critics What's this?

User Score

Generally favorable reviews- based on 18 Ratings

Score distribution:
  1. Positive: 12 out of 32
  2. Negative: 3 out of 32
  1. A sharply observed tragicomedy that draws laughter as genuinely as it coaxes tears, the nicely paced film tempers its themes of loss and sorrow with a cynically witty edge and is graced by a perfectly pitched Sigourney Weaver performance.
  2. 60
    It looks good. It seems to work. It occasionally coheres into a priceless moment. But in the end, the pieces don't all fit together as they should.
  3. There seem to be about a half-dozen spiraling subplots that go nowhere in particular. But it's oh so hiply done -- at least, that's the idea.

See all 32 Critic Reviews

Score distribution:
  1. Positive: 9 out of 13
  2. Negative: 3 out of 13
  1. JoshL.
    9
    I'm amazed at the truly vicious detractors of this movie; I throughly enjoyed it, largely from the great direction, brilliant acting from Weaver, Hirsch, and Daniels, and the engaging story that really compelled me to keep watching. It made me laugh and think and I think a movie that accomplishes that as well as 'Imaginary Heroes' did deserves to be advocated. Expand
  2. ChadS.
    7
    "Imaginary Heroes" is "Ordinary People" with a different brittle, unloving parent, but solid acting trumps originality in this case. In the Robert Redford film, you could imagine that Mary Tyler Moore's character was on valium; here, the subject of drug use is decidedly more blunt. Sigourney Weaver's episode with pot matches Patricia Clarkson's in "Pieces of April" for laughs. It's a comic highlight along with a priceless self-criticism about minorities and tokenism late in the film. And that's the film's saving grace. It's not a total bummer. "Imaginary Heroes" needs a reevaluation. Collapse
  3. TonyB.
    5
    This is an exceptionally well-acted film, but Emile Hirsch is in danger of being type cast. If you've seen some of his other work, you probably know what I mean. The plot about yet another dysfunctional upper middle class suburban family has more subplots than it can handle and so never really fully realizes any of them. Expand

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