Metascore

Generally favorable reviews - based on 36 Critics What's this?

User Score

Generally favorable reviews- based on 833 Ratings

  • Starring: Brad Pitt, Diane Kruger, Eli Roth
  • Summary: In the first year of the German occupation of France, Shosanna Dreyfus witnesses the execution of her family at the hand of Nazi Colonel Hans Landa. Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, lieutenant Aldo Raine organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as "the basterds," Raine's squad joins German actress and undercover agent Bridget von Hammersmark on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own. (The Weinstein Company)
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Score distribution:
  1. Positive: 26 out of 36
  2. Negative: 1 out of 36
  1. 100
    A big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he’s (Tarantino) the real thing, a director of quixotic delights.
  2. A fairy tale about the infinite power of film, it boasts all his swaggering trademarks: rapid-fire dialogue, gleeful violence, endless cultural references. But it's the sharp-eyed deliberation that makes the greatest impact.
  3. The film is by no means terrible -- its two hours and 32 minutes running time races by -- but those things we think of as being Tarantino-esque, the long stretches of wickedly funny dialogue, the humor in the violence and outsized characters strutting across the screen, are largely missing.
  4. 38
    The only hope for Inglourious Basterds is that audiences will embrace it the way the Broadway crowd did "Springtime for Hitler": because it's so bad they think it's good.

See all 36 Critic Reviews

Score distribution:
  1. Negative: 75 out of 399
  1. RobbyN
    10
    Inglorious Basterds isn't going to appeal to everyone. Then again, it doesn't try to. At 153 minutes, Tarantino is given free reign to exercise every cinematic whim that floats into his twisted brain. Patience is rewarded with blistering humor and outrageously over-the-top action. For his portrayal of the evil Colonel Hans Landa, Christoph Waltz deserves an Oscar nod. Pitt is absolutely hysterical and magnetic as ever. He delivers lieutenant Aldo Raine's lines in a voice that's a cross between George W. Bush and Billy Bob Thornton in Sling Blade. Expand
  2. Inglourious Basterds is an exciting film and that is not a surprise because is a Tarantino creation, so we can notice all the things that are repeated in his filmography. First we have the desire for revenge, represented by Shosanna; here we notice the famous persistent and meticulous job of Beatrix Kiddo, and the sarcastic and dedicated work of Jules Winnfield with Vincent Vega; the shocking thing is that it all occurs at one time in one place, rather than the search that we saw on Kill Bill and Pulp Fiction.
    Second, is visible the minimalism characteristic of Tarantino, because he shows too much with little things and express a few with big things. For example: in the dialogue between Coronel Landa and Mr. LaPadite about the rats, what we actually see is a way of changing a whole ideology about what people think of Nazis and Jews; in contrast, when all the important Nazis are gadder in the cinema, and Shosanna with Marcel execute their plan, we see an enormous disaster, but is nothing more than vengeance.
    Finally, the classic fragmented reality is very well developed. Tarantino put us on his labyrinth and force us to solve his puzzle. The only failure of this film is that all the fragments (chapters) are order by time, nothing is timeless, and the development is one direction; in the other Tarantino pictures we move forward, then travel to the past and then finish in the present, preparing to jump to another time again; and that could enrich a lot Inglourious Basterds.
    The direction, music and script are just perfect and Christoph Waltz is astonishing.
    Expand
  3. RMADDEN
    5
    whoopee, politically corrected Dirty Dozen redux via Pulp Fiction, with BP as Lee Marvin. myself, I preferred Lee Marvin.
  4. StanS.
    3
    Tarantino is the King with no clothing. Lauded by critics and film aficionados, but truth be told he is an abject failure as a storyteller. His films drag and sag and never have anything beneath them besides slapstick mayhem. The Basterds are no different 2 and 1/2 hours plus ending as Eliot would put it "not a bang but a whimper." Expand

See all 399 User Reviews

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