- Studio: Matson Films
- Release Date: Apr 15, 2005
- Critic Score
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80The movie catches us up so profoundly in Frankie's self-destructive spiral (and gradual rehab), it's as though we’re seeing it all for the first time. I'd like to say that's because the story is true, only it isn't.
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75The downward arc of the first two acts of the movie is made harrowing and yet perversely amusing by the performance of Paul Kaye.
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75"Trainspotting" redux.
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75An acquired taste that you may not acquire. I did, but it took me a while.
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70This is phony, absolutely, but the good feeling it leaves behind is plenty real.
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Like "This Is Spinal Tap," It's All Gone Pete Tong should have a long afterlife as a midnight-movie special.
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67A smart albeit uneven jab at everything from the clubbing life to the male inclination toward Peter Pan.
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60Grounded by a gutsy, over-the-edge-and-back performance by Paul Kaye as Frankie, It's All Gone Pete Tong takes the long way around before finally redeeming itself.
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60The British comic turned actor (Paul Kaye) appears in almost every scene and he carries that weight admirably. He manages the very neat trick of keeping you interested in a character who doesn't merit our affection but earns it nonetheless.
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60Colorful, sometimes endearing but highly uneven picture.
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60Australian mockumentary offers plenty of cheap laughs early on.
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58The only problem is that he's been such a shallow, ridiculous figure that exhuming any real sympathy for the guy is a Herculean task.
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50It lacks the genuine wit to elevate it to a truly satirical level.
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50The entire movie rides on Paul Kaye's performance.
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50The faux-documentary format does nothing for the material, but Kaye turns in a chaotic and ultimately moving performance.
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50In addition to possessing the most confusing title of the year, Canadian filmmaker Michael Dowse's high-energy dance-club saga It's All Gone Pete Tong arrives in an elaborate package of spoof and deception that should win the admiration of any practical-joke connoisseur.
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50If only any of it were funny.
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50Lots of Dowse's ideas work well--the ringing tinnitus, the conversion of sound to visible waves, the trimming of treble and bass for underwatery effect, the removal of ambient noise entirely. But as the humor flags, It's All Gone Pete Tong starts to feel more like an exercise.
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50Just inspiring enough, just scary enough, just sappy enough and just funny enough to get by.
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40It's part satire of the drug-fuelled clubbing scene, part harrowing disability drama -- and almost entirely improvised.
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38Isn't all wrong. But even at its very best, it's just all right.
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25The mockumentary-style delivery of a serious subject proves to be an unworkable mash-up.
User score distribution:
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Positive: 6 out of 7
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Mixed: 1 out of 7
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Negative: 0 out of 7
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DougB.10
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KellyM.10
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SidneyO.10This movie is tops. I like it almost as much as I like Requiem for a Dream.