- Studio: TriStar Pictures
- Release Date: Sep 24, 1999
- Critic Score
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90A markedly better picture than Roberto Benigni's far more sentimental Oscar collector.
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75Deserves a place alongside "Life Is Beautiful" and, yes, even "Schindler's List."
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67Of course, there's still the Williams schmaltz factor.
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67Soggy.
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63As earnest as the performances are, something seems to be lost in the translation.
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60But the best thing about Jakob the Liar is that it's not "Patch Adams at Auschwitz."
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50I prefer "Life Is Beautiful," which is clearly a fantasy, to Jakob the Liar, which is just as contrived and manipulative but pretends it is not.
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I never lost awareness that I was watching actors speaking lines, not real people --a problem I didn't have in the more unreal "Life Is Beautiful."
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50Flat and forced, Jakob the Liar aspires to be a poignant parable about the power of hope but instead uses one of humanity's greatest tragedies for trite melodrama.
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50More altruistic would be if Williams stopped torturing us with weepy endearments so he could look for that complex clown who used to mug just for laughs.
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50What it isn't ... is a particularly compelling contribution to the impressive and by now enormous collection of Holocaust movies.
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50Williams' self-conscious and rather bland performance never comes close to bringing his character to life.
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50The audience is ready for an unhappy ending -- and Hollywood should have the courage to provide it.
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50Pales in comparison to the controversial "Life Is Beautiful"--a more provocative fiction, if only because it's even less realist.
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40It begins with a stale Hitler joke and ends with a miraculous quick-save that demonstrates just how poorly the Holocaust is served by the life-affirming requirements of Hollywood features.
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40Feels sterile and chilly; the humor -- Yiddish and otherwise -- falls flat, and sadly so does the film.
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40The supposedly funny quips and shrugs that fill Jakob the Liar are tepid at best and embarrassingly shticky at worst. Some are simply in bad taste.
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40Even on its own terms, it stays sluggish.
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Alternates between bumbling group antics and strained poignancy...anticipates all laughter and emotion in ways that make it its own worst enemy.
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38An awkwardly executed, tedious and -- a near impossibility for a Holocaust movie -- emotionally uninvolving bore.
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38A particularly gross exploitation of the Holocaust for financial gain.
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30The self-congratulatory histrionics of Williams, lower lip trembling as he triumphs over torture in the name of the human spirit, represents a trend in Hollywood to make accessible melodrama out of unspeakable tragedy.
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20The latest in what feels like an endless string of movies ... in which the actor's parts have ruinously overdosed on sentimentality and schmaltz at the expense of humor and even sanity.
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19A trial of cliche, strained optimism, and dire quasi-comedy.
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10Just avoid this ghastly, insulting farrago at all costs.
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