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Generally favorable reviews - based on 35 Critics What's this?

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Generally favorable reviews- based on 60 Ratings

  • Starring: Jamie Bell, Mia Wasikowska, Michael Fassbender
  • Summary: Mia Wasikowska and Michael Fassbender star in the romantic drama based on Charlotte Brontë's classic novel, from acclaimed director Cary Fukunaga. In the story, Jane Eyre flees Thornfield House, where she works as a governess for wealthy Edward Rochester. As she reflects upon the people and emotions that have defined her, it is clear that the isolated and imposing residence – and Mr. Rochester's coldness – have sorely tested the young woman's resilience, forged years earlier when she was orphaned. She must now act decisively to secure her own future and come to terms with the past that haunts her – and the terrible secret that Mr. Rochester is hiding and that she has uncovered. (Focus Features)

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Score distribution:
  1. Positive: 30 out of 35
  2. Negative: 0 out of 35
  1. Reviewed by: Andrew O'Hehir
    Mar 11, 2011
    100
    Jane Eyre is a passionate, impossible love story, one of the most romantic ever told. But it's also a cold, wild story about destruction, madness and loss, and this movie captures its divided spirit like none before.
  2. Reviewed by: David Denby
    Mar 12, 2011
    80
    This austere production has fire enough; it captures the elemental Bronte passions. [14 March 2011, p. 79]
  3. Reviewed by: J.R. Jones
    Mar 17, 2011
    80
    The new version of Jane Eyre is far and away the best I've seen, thanks largely to the skilled young actress Mia Wasikowska.
  4. Reviewed by: Ian Nathan
    Sep 5, 2011
    60
    There's no question it's stunningly mounted, and Wasikowska makes a much stronger Jane than Alice, but the romance is overripe and the climax underdone.

See all 35 Critic Reviews

Score distribution:
  1. Positive: 13 out of 19
  2. Negative: 2 out of 19
  1. 10
    From the introductory sequences of director Cary Fukunga's Jane Eyre, it is obvious that the adaptation would lead towards emphasizing the Gothic elements of Charlotte Brontes original novel. The film opens, the audience sees 18-year old Jane Eyre running into the country in a directionless path. While context is absent within the opening segment, this so-far meaningless fragment of the film is devastating. The striking cinematographic images and the poignant score within this scene quintessentially evokes a modest subtlety of sorrow. With this subtlety the director forms an expansion of this subtlety throughout the film, creating an adaptation that is undoubtedly haunting and a true representation of Brontes original vision. This film based on the novel of the same name is a coming-of-age story of orphan Jane Eyre (Mia Wasikowska). The film first tells its story by alternating between memories of the protagonists dreadful experiences at her charter school, and her present-day growth into an independent and expressive woman. After the background of the character is established, the film primarily focuses on Jane Eyre, and her romantic relationship with her employer, the Byronic character of Edward Rochester (Michael Fassbender). Much of the novelâ Expand
  2. A truly exquisite cast, all giving pitch perfect delightful performances in this classic Emily Bronte novel. Most noteworthy the performance of Mia Wasikowska who is bringing splendid performances time after time. However the director left much undeveloped, from Jane's ghostly anxieties to Rochester's evolving complexity. Expand
  3. This new adaptation of Charlotte Bronte's classic has its magnitude from the present work to the coeval public which has no access to literature or to the elder version.

    As expected, the film has a commanding art direction by Will Hughes- Jones, which is quite lower in scale to other classics of the time, but is of equal quality in the costume, and in the choice of locations in the rejuvenation of the period in which women were simply props from their husbands, unable to participate in decisions and cursed to see the horizon of its narrow windows.

    There are not many mysteries: Jane Eyre (Mia Wasikowska) is a young woman who, humiliated by her aunt and sent to a strict school, became the governess of the of Mr. Rochester's daughter (Michael Fassbender). Eventually the tormented boy is enchanted with the conviction of the girl and her presence as well as direct and clever in the way that she answers him.

    So, Mia Wasikowska, who is an actress I do like, considering a little flat and not charismatic, precisely just because she can revive the coldness and austerity of a woman who hopes to achieve big dreams in life. Michael Fassbender, confirming the upward curve in his career, has an extraordinary performance as the tormented Rochester, stuck with a secret past that does not allow love.

    Plus the steady direction which Cary Fukunaga mixes the superstitions of the time and turns the large estate of Rochester in a place almost in awe. What never ceases to be.

    In short: it's a renowned literature told with the degree of wealth enough to be absorbed by the public, but no big mystery or innovations.
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  4. People in love smile. They smile a lot. It's an expression that signals our interest in someone who delights our heart, a gesture as irrepressible as the wind through the Dales. Mia Wasikowska however never much alters her expression of dour gloom in this remake of 'Jane Eyre', a movie with no warmth, no chemistry, and certainly no passion. She is the ice queen of the frozen moors, and it comes as a surprise that Rochester could possibly have fallen in love with her, an even bigger surprise that she has any feelings for him. If you want to view a visually beautiful film, I can recommend this movie. If you want a tale of intelligent wit, fine dialog, and heartfelt passion, you'll need to read the book. Collapse

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