- Studio: IFC Films
- Release Date: Jun 11, 2010
- Critic Score
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100It's one of the best documentaries ever made about show business, about what it really consists of and what it demands.
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100She's a teller of hilarious gutbucket truths as surely as Lenny Bruce and Richard Pryor ever were. Yet while they were consumed by their demons, Rivers is just the opposite.
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91A Piece of Work is the antithesis of Jerry Seinfeld's engaging but superficial 2002 documentary "Comedian": where the innately private Seinfeld holds nearly everything back, Rivers loudly broadcasts the kind of fears, anxieties, and ambitions most people would do anything to hide.
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90This convulsively funny movie takes an up-close and sometimes queasy-personal approach to its motormouth subject, who, when she's not making you howl with laughter (or freeze up in horror), brandishes her deeply held hurts, fears, prejudices, poor judgment and bad taste as if they were stigmata.
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88There's not a timid, sympathy-begging minute in it. Even better, you leave Joan Rivers: A Piece of Work with the exhilarating feeling that the lady is just hitting her stride.
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88Fascinating and has a lot of laughs in it.
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88A gripping documentary.
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88A documentary that exerts a car-wreck fascination as it follows the icon through her 75th year (she's now 77) while looking back over her tumult-filled life and career.
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88One of the smarter, more unexpectedly touching documentaries of the year, and I recommend it to you whether you love Rivers or loathe the very thought of her.
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85As the film demonstrates over the course of a full year with her, and not a great year by any stretch -- there is more to this particular hard-charging, egomaniacal, joke machine than gets revealed onstage.
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Rarely has a documentary subject projected such palpable fear and anxiety as Joan Rivers in Joan Rivers: A Piece of Work.
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80A highly entertaining documentary revealing a serious talent behind the one-note present-day reputation.
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80Rivers appears to have more energy than most 30-year-olds; she gets more done in a day that some of us could accomplish in a week.
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80A compulsively watchable look at Rivers.
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80It's easy to think of comics, especially time-tested ones like Rivers, as mechanical laugh-generators. Stern and Sundberg allow her to reveal the deep-rooted humanity of those ever-present quips, and the effect is humbling.
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80For the small but enthusiastic documentary crowd and the comic's diehard fans, it's a must-see.
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80She is by turns blue, bitter, hilarious, unbroken; a Hollywood-style portrait in infinite ambition. In that role, Rivers is unforgettable.
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80Remarkably, thanks to this documentary, we hope for the sake of this smart, vibrant, apparently good-hearted woman, that the invitations keep coming.
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80Mixing hilarious standup footage with admiring if not exactly cuddlesome behind-the-scenes glimpses.
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80What she thinks of herself, though, seems perfectly, if improbably, reasonable--a queen of comedy who won't and shouldn't abdicate.
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80Rivers comes across as a consummate professional but also a genuine person, ruthlessly honest about her life decisions and utterly devoid of self-pity.
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78An entirely sympathetic portrait of the artist at an advancing age. That's right, artist – and to a generation that knows Rivers only as a screeching red-carpet provocateur or as an overknifed monstrosity, that revelation alone is worth the cost of admission.
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75Although Joan Rivers: A Piece of Work is unmistakably a fawning love letter to an amazing performer, its subject proves to be her sharpest, bluntest critic.
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75Stern and Sundberg, best known for their Darfur documentary "The Devil Came on Horseback," did not shrink from the atrocities in Sudan; nor do they shrink from the fame-hungry excesses here.
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75Succeeds because the subject knows she's a showbiz monster and plays her role to the hilt. She's Norma Desmond in "Sunset Blvd." or "Mommie Dearest's" Joan Crawford up from the grave.
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75It's all about personality and Joan's inimitable style, which fills every second of its 84 minutes.
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75In the movie's best moments, Rivers is defiantly obnoxious and forthcoming about the fact that she'll do anything for money. At other times, the filmmakers attempt to make the wildcat warmer and fuzzier.
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75The film's biggest unexplored question: Why is someone with a reputation for laying bare the truth so addicted to plastic surgery?
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70Maybe Joan Rivers is a high-powered engine of self-debasement who will go lower than anyone else for a laugh and a dollar, and maybe she's a skilled actress who has spent her whole life playing one. Either way, yes, she's quite something. And I'd rather appreciate her from a distance.
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70By turns desperately funny and unfunnily desperate?