- Studio: Music Box Films
- Release Date: Sep 7, 2012
- Critic Score
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88By dropping in on this couple from time to time for the kinds of moments one of them might remember, the film is more honest than its characters.
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100Lindhardt, sweet and childish and achingly vulnerable, gives a stunning performance.
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83Sachs skillfully explores dangerous extremes -- not only drug addiction, but the slipperiness of attraction.
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90A haunting, immersive portrait of a romance between two men, one that's marked - and marred - by both drug dependency and emotional codependency. Not unlike last year's gay-themed drama, "Weekend," it proves an important and mature piece of business.
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85The film, though, is as sure-footed as their partnership is not - a nuanced portrait of emotional turmoil, persuasively acted, richly sensual one moment, wrenching the next, and unlike so many films centering on gay characters, not particularly concerned with things like coming out or HIV.
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90Not only does this film gloriously fulfill the potential that Ira Sachs has tantalized movie-lovers with for years, it also help explains what took him so long. Out of lost love comes a terrific work of art; it's the oldest story in the world, but it always feels new when it's done right.
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88The performances are first-rate, with Lindhardt particularly moving as a guy who's in deep denial about just how much he can expect from a relationship with an addict.
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91Keep The Lights On feels less like a memoir than a collage made from diary scraps, evocative but not prescriptive.
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90Its subject is not addiction or ambition, or even love in a conventional romantic sense, but rather the more elusive and intriguing matter of intimacy: how it grows, falters and endures over time.
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100This is a drama about finding one's self-worth; you simply have to see it.
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Sep 4, 201290With its naked but never self-indulgent depictions of sex and all manner of addiction, Keep the Lights On is disarmingly, at times exhilaratingly, human.
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