Metascore
67 out of 100

Generally favorable reviews - based on 22 Critics

Critic score distribution:
  1. Positive: 16 out of 22
  2. Negative: 3 out of 22
  1. Reviewed by: Roger Ebert
    Mar 14, 2012
    75
    The movie may leave you scratching your head way too much when it's over. Yet it proves Ben Wheatley not only knows how to make a movie, but he knows how to make three at the same time.
  2. Reviewed by: Owen Gleiberman
    Feb 15, 2012
    50
    It's all very sub-Tarantino showy and empty - at least, until the head-scratching climax, which tries to be "Eyes Wide Shut," "The Wicker Man," and "The Twilight Zone" all at once, but only makes you wish that you were watching one of them instead.
  3. Reviewed by: Ty Burr
    Mar 1, 2012
    75
    A scuzzy little cross between a crime movie and a horror freak-out that gets under your skin and stays there, even if you can't understand half of what the characters are saying.
  4. Reviewed by: Rene Rodriguez
    Apr 12, 2012
    88
    One of the scariest films I've seen in ages, although I cannot in all honesty explain exactly what the movie is about.
  5. Reviewed by: Marjorie Baumgarten
    Feb 29, 2012
    67
    Viewers will find themselves well into this intriguing movie before they get a sense of what it's about and where it's going. And even then, they'll never correctly predict the film's outcome or foretell its bizarre ending.
  6. Reviewed by: Shawn Levy
    Mar 1, 2012
    67
    There's atmosphere and tension and dark humor and some truly shocking gore throughout. But the positive impression all of that makes pales next to a headscratching finale that is admittedly well-executed but is also undeniably perverse and borderline random. Maybe you'll go with it, simply out of shock. I, alas, could not.
  7. Reviewed by: Andrew O'Hehir
    Feb 2, 2012
    80
    There's no disputing the ingenuity and even the brilliance of this mind-bending mashup, which begins as a gritty recession-era marriage drama - the opening scene features a couple arguing about whether they have the money to get the Jacuzzi fixed - and then descends into ominous violence and finally total insanity.
  8. Reviewed by: Kyle Smith
    Feb 3, 2012
    38
    Banal at the beginning and preposterous at the close, the British horror film Kill List jumbles together wildly incongruous ingredients to create a dramatic mush.
  9. Reviewed by: Joe Neumaier
    Feb 2, 2012
    20
    It would be easy to say that the final minutes of this mixed-up thriller make everything before it meaningless, but that would indicate the odd conclusion has meaning, too.
  10. 80
    The final twist is both baffling and repulsive, but as an evocation of the triumph of evil, it's peerless.
  11. Reviewed by: Jeannette Catsoulis
    Feb 2, 2012
    70
    That assured style is the spackle that holds Kill List together: when the plot doglegs into insanity, and the characters follow suit, this brutal fever dream refuses to fall apart.
  12. Reviewed by: Joshua Rothkopf
    Jan 31, 2012
    80
    There's still tremendous vitality here, and Wheatley's avoidance of yet another Guy Ritchie gabfest is a pleasure in itself.
  13. Reviewed by: Betsy Sharkey
    Feb 2, 2012
    80
    This is a far more brutal film than Wheatley's first, 2009's "Down Terrace." Though it had crime at its center as well, it was balanced by a dry irony and far less blood. There is no offset in Kill List, with one scene so relentless in its gore that it makes the notorious elevator scene in "Drive" pale in comparison.
  14. Reviewed by: Peter Hartlaub
    Mar 15, 2012
    75
    Kill List has a slow build, but don't be lulled into complacency. This is one of the most violent and disturbing films you'll see in an art house.
  15. Reviewed by: Stephanie Zacharek
    Feb 2, 2012
    55
    Wheatley drops enough unnerving bread crumbs in the first two-thirds to leave you wondering where the hell he's headed, and even the big finale should be satisfying enough: It just belongs to a different movie, and it's unsettling in a way that doesn't feel earned.
  16. Reviewed by: Scott Tobias
    Feb 6, 2012
    60
    Following up his acclaimed debut feature "Down Terrace," a gangster drama that also mixed genre shocks with dark comedy and explosive family spats, Wheatley gives Kill List a discordant tone that makes it feel like a horror film even when it isn't.
  17. Reviewed by: Alison Willmore
    Feb 1, 2012
    75
    While the sum of Kill List comes across as less than its parts, it offers some strikingly nightmarish imagery and a feel that's reminiscent of an earlier, grittier era, yet at times sharply contemporary.
  18. Reviewed by: Chuck Wilson
    Jan 31, 2012
    80
    Brutal and bloody and utterly unnerving, thanks in no small measure to Jim Williams's brilliant score, which is filled with strings so taut, they sound like screams you might hear in the distance and decide (quite sensibly) to ignore.
  19. Reviewed by: Jaime N. Christley
    Jan 30, 2012
    38
    It's a road movie of sorts, like the Steve Coogan/Bob Brydon comedy The Trip, only with fewer expert impressions and more inept executions, but lovely scenery just the same.
  20. Reviewed by: Andrew Barker
    Jan 29, 2012
    80
    Displaying both a nasty edge and a playful sense of humor -- but thankfully, never at the same time -- Brit import Kill List is several cuts above its fellow midbudget horror brethren.
  21. Reviewed by: John DeFore
    Jan 29, 2012
    80
    Director-screenwriter Ben Wheatley brings a fresh mystery and bite to the hitman genre, although a deeply weird twist and buckets of gore may throw more than a few audience members.
  22. Reviewed by: Todd Gilchrist
    Jan 29, 2012
    100
    Kill List is a major breakthrough for writer/director Ben Wheatley, whose assured and painstaking handling of this difficult material makes for an unforgettable viewing experience.
User Score

Generally favorable reviews- based on 24 Ratings

User score distribution:
  1. Positive: 7 out of 10
  2. Negative: 1 out of 10
  1. 3
    This poor excuse for a movie is like some sort of bad acid trip. You just want it to end so that you can get on with your life. How this disgusting film garnered one award, let alone many, is beyond me. This is garbage. Full Review »
  2. A surprisingly silly film. It had good performances but the direction coasted on its downbeat naturalism. Also, the editing was too scattershot for me to properly engage and the ambient, 'unsettling' soundscape seemed a little one note. Ultimately, the script needed more development, which the direction could never overcome. I have heard the director justify the extreme violence, but unless the film expresses a real purpose or poetic vision, it remains a nasty gimmick. Full Review »
  3. The film starts with what looks like an average domestic drama with Jay and Shel constantly falling out and making up. But once Jay and Cal set about their work the whole atmosphere of the piece changes. There is a great sense of mystery with several aspects of the plot not fully explained, leaving it to the audience to decide, this I really liked. I should warn potential viewers that there are scenes of very extreme violence and an awful lot of swearing (so be prepared). Over all, I found it a decent watch with some very nice aspects and an ending that Full Review »