- Studio: Screen Media Ventures
- Release Date: Apr 9, 2010
- Critic Score
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75A satisfying and movingly acted story.
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75La Mission, carefully directed by Peter Bratt and beautifully photographed by award-winning cinematographer Hiro Narita (Never Cry Wolf), explores the human side of a culture we know almost nothing about, in a world usually exploited on film to depict drugs and danger.
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The film oozes with authenticity -- sometimes a bit too much so -- and a genuine passion for the gritty, colorful, proud neighborhood that's still a few steps behind the progressive city it calls home (the Bratts grew up in and around the Mission).
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63Here their hearts are in the right place, but the film tries to say too many things for its running time.
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60It offers Bratt maybe his best role ever as Che, a tough-guy neighborhood personality struggling to come to grips with his son's homosexuality.
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Bratt's performance suggests enough subcutaneous rage to give the proceedings an edge, even when the sluggish narrative takes the slow-cruise ethos of its low-rider culture far too literally at times.
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58The warmth comes through, even if the storytelling is simplistic and clichéd.
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50Their heart is in the right place, and their tale is colorful, complete with Indian dancers in ceremonial costumes dancing on a street corner.
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50The mixed report on La Mission is that writer-director Peter Bratt doesn't really know how to make pictures, but he does know the central character in his movie.
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50Benjamin Bratt ably depicts both sides of this character and creates a memorable portrait in the process.
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The distinguished cinematographer Hiro Narita ("Never Cry Wolf") captures the hard San Francisco light and the burnished glow of the beautifully painted cars. Unfortunately, this care is lavished on an overwrought, predictable story of an angry ethnic father.
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50Rather predictable in its major plot points and social-issue pleadings, the picture is better suited to cable than the big screen, but nonetheless offers solid drama with nice streaks of humor, warmth and local color.
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50The after-school-special moralizing is mitigated by the project's sincerity and textured locale.
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40The earnest attempt at family drama doesn't benefit from the abundance of movie-of-the-week cliches.
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40As subtle as a face-punch, La Mission nobly continues a necessary conversation about homophobia, but paves the way to hell with its own good intentions.
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33Bratt's character is stuck in old ways of thinking, and the movie, for all its well-meaning social intent, is right there with him.
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25Utterly predictable and full of trite dialogue.
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User score distribution:
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Positive: 1 out of 1
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Mixed: 0 out of 1
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Negative: 0 out of 1