Absolutely incredible - easily matches the likes of The Hobbit, Lincoln and Zero Dark Thirty as one of the best films this year. Best musical film adaptation since Chicago. Jackman's 'Bring Him Home' is sure to go down in Les Mis history as the best since the likes of Colm Wilkinson; the same can be said for Eddie Redmayne's 'Empty Chairs', which is easily on par with the legendary Michael Ball. Surprisingly, Russell Crowe does very, very well as Javert - he's not a fantastic singer but his vocals are still very good. Stars is within the top five of the film.

EDIT: 'CineTigre' clearly has no idea what they are talking about. Les Miserables did NOT originate as an opera, it was a French musical which was translated into English and presented on the West End in 1985. There is no 'guillotine' because that was A COMPLETELY DIFFERENT FRENCH REVOLUTION. The entirety of the main cast, other than Amanda Seyfriend and Russell Crowe, have significant experience when it comes to musical theatre, so they indeed hired singers. He/she is either a Les Mis purist who is far too clingy to the source material or a troll who is simply trying to lower the score, possibly in comparison to that *other* big christmas movie.… Expand

As a die hard fan of the musical, I feel like my opinion will be most helpful to other die hard fans. What I can say is that it does change a lot of minor things, like the order of some songs, some of the lines, and even cuts some musical portions out. Everything that is absolutely essential is there, but they cut out Valjean's final stanza in The Confrontation, so Javert just sings his part solo, they cut out the end part of that song, they cut out Dog Eats Dog altogether, and they cut out most of Turning, for example. However, it's all minor, and everything works out extremely well. The changes they make, for the most part, help uphold a structure more suited for a movie than a stage production. Russell Crowe as Javert is emotionless, yet the background music and the directing help make his scenes as good as they can be despite his weak performance. Everybody else is great though. Anne Hathaway as Fantine better win an Oscar, otherwise I will be boycotting the entire ceremony for years to come. I never had the type of reaction in any movie as I had during I Dreamed A Dream. I was involuntarily breathing heavily enough for the people two rows behind me to hear, and I noticed that my heart was pounding. I was too numb to even clap. She sang it in such a way that I had never heard before, and I've heard many versions that I've loved. Still, when I heard Anne's, it was like a lightbulb went off, and someone finally figured out how you're really supposed to sing it. Eddie Redmayne as Marius also gave a pretty beautiful performance, and Hugh Jackman held up his role very well, and brought a lot of emotion to What Have I Done?, Who Am I?, and Bring Him Home. Helena Bohnam Carter isn't nearly as enjoyable as some of the Broadway performers I've seen in that role, but the Thenardiers hold their roles up very nicely. Amanda Seyfried has an unexpectedly good voice, which blends well with Eddie's and Samantha Barks's, who is great as Eponine. The directing is very intimate and passionate, which I thought was a fantastic choice for a story this much based on human thoughts and emotions. The one change I really didn't like was that Eponine wasn't included with Fantine in the finale. It was just Fantine, which I didn't like, because the harmonies they did in the stage production were absolutely beautiful, in my opinion. All in all, there were some changes I didn't like, and Russell Crowe's performance fell flat. For me though, as amazing as I think the musical is, it would take a whole lot of unnecessary changes, more than just one weak (although not even particularly bad) performance, for me to not be absolutely blown away by Les Miserables. If you find the musical to be an absolute knockout, for other reasons than just Javert's character alone, you will probably love this movie as I did.… Expand

Self indulgent and pretentious. This defines pretty well what Tom Hooper´s Les Miserables is. The camera is always in the wrong place. The tight shots make the production design seem like a waste and the actors look bad, embracing their over-acting. There is no dialogue, everything is sung, there is no silent moment and there is absolutely no subtlety. Everything is bad, nobody can reallyy sing (especially Russel Crowe) and the performances are so weird and over the top. The only thing that saves this movie from complete disaster is the beautiful production design. Definitely not a must-see.… Expand

Wonderful. Just saw the show with my wife. She wanted to stand up at various junctures of the movie and clap. We saw the broadway show at least 6 times and believe that the movie did the show justice. It is the rare movie that people we see it several times.

Wonderful masterpiece! If you dont have a stone as your heart this movie will touch you, move you and make you cry. And who will not a deeply feel sorry for.....I am certainly not a big fan of musicals but this movie made it.

Although I would have loved more background, I understand that you can't do everything in the book, in the movie. The acting, the singing, the pageantry - wow, what a musical. (Stars was SUPERB!)

Also being a diehard fan of the musical, and now a huge fan of this film, I have to disagree with MichaelDN. I actually found that Russell Crowe was the strongest characterisation of Javert since Philip Quast - even better than my personal favourite, Norm Lewis. Javert isn't a true antagonist - in reality, he's an anti-hero, because while he is the rival of the Jean Valjean, he is simply "doing [his] duty, and nothing more". He's cold, calculating, emotionless and remorseless, which I think Russell captures perfectly. You're not supposed to hate Javert - in my opinion, you should pity him, because his unrelenting attachment to the law and unwillingness, in fact, his inability to be merciful makes him the perfect lawman yet it is also his downfall. Otherwise, I agree with everything else.… Expand

There are undoubtedly some amazing scenes in there, almost all the feature songs of the original musical have really been captured well considering just how vastly different film really can be from the stage. What I believe let this movie down are the bits in between, while acting was excellent in just about everything the same can't be said for the singing. There were some amazing moments where acting and singing merged together to produce an art that will be almost guaranteed to put a tear in your eye, but they were just glimpses now and then, for the most part the singing lacked the same kind of spirit and intensity that the acting was showing.… Expand

While not a perfect film, it was everything a Les Miserables fan could have asked for and more. The camera work was both intimate and sweeping, the art direction was stunning, and the performances really brought the music to life. While some of the singing left a bit to be desired (Russell Crowe's voice, while good, is not meant for musicals) the performances brought emotion and pathos to the music that the musical alone could not. Not in the least bit subtle, this adaptation expands upon the musical, adding missing information from the novel into the movie to tie the storyline together in a masterful way that makes the overarching themes of faith and redemption even more meaningful. A must see.… Expand

I fell in love with Les Miserables as a book first in high school, followed shortly by the love of the movie with Liam Neeson, and finally the musical. I cannot sing for the life of me, but I auditioned just to be in the background for the school production we were putting on. I have watched the 25th anniversary concert a million times. Finally, from the time they announced there would be a movie, I have been obsessively following every announcement from casting, to trailers, to featurettes. To say that I am a die hard fan would be certainly putting it lightly. I finally saw this movie yesterday and I have to say that I am impressed. Some songs were out of order, and pieces of songs were missing, but I felt that it made sense to the storyline. Redmayne's performance of "Empty Chairs and Empty Tables" was brilliant and touching, Hathaway's Performance in "I Dreamed a Dream" had me in tears, Samantha Barks was just stunning and I hope this starts a long movie career for her, and finally Hugh Jackman did an amazing job. Crowe and Seyfriend both did adequate jobs to play their characters, but both paled in comparison with the others when it comes to singing alone. I feel that Crowe is an amazing actor, and he pulled of Javert's emotional side very well. He did a great job singing the part, but his real contribution as Javert was just how amazing he is as an actor. Most people portray the cruel side of Javert, but have a hard time showing the conflict inside him. Crowe did fantastic! The decision in the movie to have Javert leave his badge on Gavroche, was so good, especially when showing the emotional conflict that Javert is facing. Hooper did a great job. This is now my favorite movie and I cannot wait to see it again!… Expand

The bombastic approach to the classic material is wildly ambitious and imaginative, but can't shake off its many flaws: The camera work is shoddy. The opera approach hurts the story immensely. The choppy editing kills all beauty of the gorgeous set design. Russel Crowe can't sing. Even with moments of brilliance such as Sacha Baron Cohen's rendition of "Master of the House" and Anne Hathaway's short-but-memorable performance, the movie is bogged down by an enormous running time, a failure to understand its material, and some very inappropriate choices during filming. It hurts to say that what must have been an extremely difficult production is so forgettable, but I can't recommend this to anyone. It is simply a beautiful bore with a handful of good moments.… Expand

I had no previous experience with "Les Mis" before watching this movie; so as a virgin to the musical, I thought it was absolutely fa nominal. The acting was Oscar worthy, the voice's were enchanting, and the casting was 'parfait'! The live singing made the movie real, the passion from all of the actors was contagious, and the story was well executed. Simply amazing.

The millions of faithful followers of this no-spoken-dialogue pop opera will flock to any incarnation. For everyone else, try to be kind. Producers clearly wanted the A-list actors (Hugh Jackman/Valjean, Anne Hathaway /Fantine, Amanda Seyfield/Cosette, Russell Crowe/Javert -- who auditioned like American Idol hopefuls) for two reasons: for box office clout, and to make the soap-opera-smaltzy sung dialogue seem almost credible, at least in super closeup. Anne Hathaway gives a moving performance as the ill-fated (and early departing) Fantine, and Hugh Jackman, who won a Tony for the Boy from Oz and played Curly in a West End production of Oklahoma, will probably be the greatest surprise to film fans. But when the "real" singers arrive -the young revolutionaries and the wonderful Samantha Barks as Eponine -- all the leads except for Jackman seem out of place. (I notice they didn't include Sam Barks in the finale.) More successful is the staging of the comedy numbers like "Master of the House" with Sacha Baron Cohen and Helena Bonham Carter as the grifters, although those numbers seem odd set in director Tom Hooper's ultra-realistic Parisian slums. My suggestion: on a long trans-oceanic flight, try Kindle-sampling Victor Hugo's sprawling 1,500 page novel.… Expand

Incredible! ly boring. Amazing! ly bloated. Terrific! ally overwrought and tasteless. When everything on display is Earnest! and Heartfelt!, it renders it all meaningless. Never subtle, always strained, the musical is shockingly claustrophobic instead of soaring, and needlessly literal at all turns.

A few observations: When making a musical, it might be a good idea to hire singers for the lead roles.
Helena Bonham Carter seems to have wandered in from Sweeney Todd, the prostitutes seem to think they are in Cats, and good deal more of the cast seems to think they are in Oliver! (isn't this supposed to be France?)
Finally, be careful about your end-of-life haircut choices, as apparently the cut follows you to Heaven!… Expand

I fell in love with Les Miserables the first time I read it. It's story of redemption,faith, and hope has survived for over a century. I was fairly excited for this movie and have to say that I was only a tad disappointed. The one thing that sells this movie is the phenomenal performances from the entire cast. Everybody does a fantastic job and who knew that Russel Crowe could sing? The film is just as depressing as the book is which I'm sure everyone is expecting. If you don't get choked up at least 3 times during this movie you are broken. The scene where Anne Hathaway sings "I Dreamed a Dream" is both heartbreaking and beautiful. I also think that this is the best performance of that song ever. Instead of writing about the things everyone is sure to write about such as Hugh Jackman's career defining performance and the incredible set design I am going to talk about my few complaints because the compliments are too obvious. I really only have two complaints and one is relatively minor. The first is that Hooper doesn't know how to direct action at all. During the few scenes that are heavy on action the camera is often chaotic and at times can possibly lose the viewer. Besides that Hooper did a really good job and I applaud him. My biggest complaint and even though I am a huge Les Mis fan I must address the films length. At 2 and 1/2 hours plus the film drags a bit in certain places. The story is very long I realize, but some things could have been amended or adjusted to just make the movie a little bit shorter. Besides that the movie was excellent and any Les Mis fan deserves to see this wonderful movie. For every complaint I have there are a dozen compliments and the movie is the best cinematic musical since Chicago.… Expand

Yes, Anne Hathaway's performance of "Dream" is stunning. But when she croaks you've got two more hours to sit through! To be fair, those who loved the stage musical are bound to enjoy this; costumes and performances are first-rate. It's just not as much fun for those of us who like musicals that feature acting and speaking in between the songs (e.g. "Funny Girl," "The Sound of Music").

Be forewarned: I had never seen the stage production of Les Miserables prior to watching the movie, nor had I read the book. All I knew about the story was that it was set in France sort of around the time of the French Revolution (several years later, I came to find out). That being said, the story FEELS like a story, rather than something that could actually happen (e.g., love at first sight is used as a major plot device, characters often find the characters they're looking for out of sheer coincidence, etc.). Despite that, it is still a very solid movie. The acting is phenomenal. Anne Hathaway's and Samantha Barks' solos are heart-wrenching, and really help bring the movie to life. And all the songs are recorded live, i.e., we're hearing what we see, rather than a studio recording. Again, I have never seen any other version of Les Mis, but it certainly feels like the director did everything in his power to bring this classic back to life.… Expand

I have seen two other adaptations of Les Miserables. They are both pretty well done and they earned better reviews than this new adaptation. The new Tom Hooper adaptation is ultimately the best. Hugh Jackman leads the way strongly packing emotion in almost every word he sings. Anne Hathaway ended up stealing every single scene she was in and ended up being one of the best singers. Samantha Barks was probably my favorite part of the film. She was sweet, beautiful, strong, packed enough emotion to show up all the big time stars that are with her. Eddie Redmayne was sometimes sounding like Kermit the Frog and Amanda Seyfried was sounding like a bird in the early morining. While Aaron Tveit was the best vocally and the most entertaining. Les Miserables was a performance film, it had some solid humor, while being emotionally powerful. Tom Hooper had some weird camera angles which sometimes took away from the experience. The new song … Expand

A full-house weekend cinema viewing, maybe a second-row syndrome which left my anticipation unfulfilled. First of all, I never successfully accustomed to the “all sung script”bravura which blatantly dissolved the narrative into a mess of inconsistent singing ballyhoo, yes, I aware it is a musical film, but the semi-sing,semi-speak preposterousness is so distracting as if we were watching ang aliens perform their own performing art, a dreadful insouciant nonchalance has penetrated from the beginning to the very end. Secondly, the singing expertise from the cast is uneven, I don’t intend to name the black sheep here, just wonder what’s the advantage of adapting a musical into a feature film if the latter’s voice prowess cannot keep in the same level albeit putting money to create more detailed settings instead of simple tableaux on the stage. There must be some artistic reasons behind but for the profitable perspective with exponentially-surging attendance. I may opt for a stage musical against my film aficionado predilection. Special congratulations to Anne Hathaway and Samantha Barks, their solo renditions alone are worth the ticket (maybe a soundtrack is more felicitous), Hathaway will 99% sure win her first Oscar, and she should perform in the upcoming Grammy awards as well. Barks is a new-found gem, but whether or not she can leap into a stardom out of the genre is a moot. Hugh Jackman finally gets his hard-earned Oscar nomination, but impaired by the sketchy and episodic storytelling, it is far from an award-worthy leading performance. Eddie Redmayne and Amanda Seyfried are adequate, while Helena and Sacha pair engenders a Burton-esque high spirit to offset the dreary misery and wide-eyed revolutionist mirage. Fairly speaking, Tom Hooper’s workmanship doesn’t generate too much excitement, starts with his shaky camera, eerie and undetermined, the CGI surroundings can hardly be called innovative, as an Oscar-winning director, his unjust fluke will sooner or later boomerang on his own luck.

Sorry for grudging all over the place, I am pining for some involving lifelike revelations, clearly I am pigeonholing myself into the wrong consumer coterie, or simply don't watch any film in the second row.… Expand

Oh boy, what a terrible mess. Acting horrifying, singing ear bleeding, a story of absolute garbage and a movie that suffocates you on the length. The talk and sing style trash isn't only irritating, it makes the movie almost impossible to follow. Les Miserables not only takes the title of worst movie of the year but of all time. Move over Chicago, we have a movie even worse.

I love this story, it

By far the funniest musical I've ever seen. Never mind that it isn't supposed to be funny. If you read this review and then go see Les Miserables anyway, you better know how to entertain yourself. I laughed my way through the final two hours by making up Weird Al style verses to substitute for the piteous wailing and moaning and brow beating and self-flagellation that makes up the actual verses. Even my 66 year-old mother was making wisecracks by the end of it. Her final verdict was the movie needed less singing and more fighting. Sadly Les Miserables also lacks a guillotine, so you will have to hear the entire cast of characters go on and on in sobbing song until you long for a short, unmusical death scene. Preferably a scene involving the entire cast.… Expand

This film is a cinematic masterpiece. What really makes Les Miserables stand out amongst musical films is the bare emotion and reality depicted in the characters, it stays true to the nature of non-stop musical storyline that makes it incomparable to anything else in the genre. The vocals are near-perfect, with the exception of Russell Crowe's incompetent range, which he makes up for with his characterization of a man whose conflicting emotions lead him to his grave. This film stayed so true to the musical on so many levels, and exceeded expectations in terms of delivery, beauty, and pure cinematic mastery. It is overfilled with incredible meaning, timeless music and wonderful characters that are depicted so rawly and truly that it hurts. Les Miserables is a must-see, for die-hard fans and those unfamiliar alike.… Expand

This is a classic story which is well handled in this production. My negative comment is that the big budget actors/actresses cast in the roles are not as strong vocal talent as would be expected in a proper stage production. Musical numbers come across as a touch over produced. Of course, that is easily overlooked by the sheer beauty of the film. It is absolutely stunning and worth watch just for the visual spectacle. Anne Hathaway has gone from bubble gum films to a series contender for an Oscar. Enjoy this film it is a worthy contribution to a timeless classic.… Expand

This was an boring, overblown mess of a movie. Anne Hathaway's performance is the single highlight where she radiates pure pathos. Meanwhile, Russell Crowe was just embarrassing to watch.

Laborious. Strained male voices. They should have worked on it in the cutting room a bit further. Hugo's story is a classic, but the attempt at the operatic style will not be loved by the average American I feel. Why do we need this in the theater now? Why couldn't they show what these "poor, innocent" Revolutionaries did to the aristocrats? No sign of the guillotine here! How many times did the audience need to hear of the crimes of the man? I'm afraid it is mirroring what is happening in America today. They advertised it wrong. It was an opera, not a musical. I love these actors, but they should have hired singers for this movie. I love music and I couldn't even turn on the radio going home because my ears hurt so much. Those people ruined Paris and great art. Why are we rewarding them today? I'd love to see it as a good movie and not as an opera. I bet those men were embarrassed to sing like that. Sad, sad, sad.… Expand

The source material and many individual performances saved the movie. The close-ups wouldn't have been a problem, if they had EVER done a wide shot during the scene. LOVED Sacha Baron-Cohen.

Forget all the middling reviews, this is a terrific movie. You don't have to be "emotionally susceptible," as The Hollywood Reporter claims, to enjoy this film, but I do suppose you must have the capacity to be stirred by noble themes, great acting, and, of course, powerful music. Go see it.