Metascore
51

Mixed or average reviews - based on 15 Critics

Critic score distribution:
  1. Positive: 7 out of 15
  2. Negative: 2 out of 15
  1. Reviewed by: Jay Carr
    50
    Before long, it runs out of steam, playing like the pilot for a TV sitcom called "Baby Knows Best." [13 Oct 1989, p.37]
  2. Heckerling still has some of the sensitivity she showed in handling actors in Fast Times at Ridgemont High and she has a deft way of illustrating her heroine's fantasies about possible mates without any fuss.
  3. 75
    Look Who's Talking is full of good feeling, and director Amy Heckerling finds a light touch for her lightweight material.
  4. Though the film has a plot a simpleton could follow, its hallmark is confusion. Its sense of time and place and its point of view are muddled. [13 Oct 1989, p.L]
  5. Reviewed by: Mark Cooper
    60
    Despite the amiable charms of the central couple of Cheers' Kirstie Alley and a back-from-the-dead John Travolta, it is director Heckerling's goofy willingness to let her imagination run riot that prevents her film from sinking into soap.
  6. Reviewed by: Chris Willman
    70
    The movie but, rather surprisingly, given the gimmicky premise, it's not gag-me-with-a-pacifier cute nearly as often as it is genuinely charming. [13 Oct 1989, p.12]
  7. 25
    This flabby comedy deserves only one thing: to fall on its fat one.
  8. Look Who's Talking plays baby-picture cute almost beyond the limits of the tolerable, but it has enough spark and intelligence to be a very likable, occasionally riotous romantic comedy. [13 Oct 1989, p.E1]
  9. Cute is the operative word for the movie, which stars some good actors doing material that is not super.
  10. Reviewed by: Richard Corliss
    70
    Sassy but never cynical, Mikey is first seen, through some cunningly simple special effects, as a kind of hot-rodding sperm cruising up the Fallopian tube to the tune of the Beach Boys' I Get Around. [20 Nov 1989, p.98]
  11. Reviewed by: Staff (Not Credited)
    75
    Thanks to the ingenious voiceover, however, Look Who's Talking is a genial, entertaining film.
  12. 50
    Heckerling stoops to the obvious at times and there are two car chases too many. But Look Who's Talking never insults the intelligence of adults or babies, and that's quite a feat for any comedy. [13 Oct 1989, p.4D]
  13. Reviewed by: Staff (Not Credited)
    20
    Like a standup comic pouring 'flopsweat', this ill-conceived comedy about an infant whose thoughts are given voice by actor Bruce Willis palpitates with desperation.
  14. Reviewed by: Roger Piantadosi
    70
    Heckerling's central hokum is definitely silly, based on the notion that Mikey (and all babies, in fact) has somewhat adult, slightly cynical thoughts on everything that goes on around him, from conception to end credits -- and that these thoughts and embryonic wisecracks and creative interpretations are heard only by the audience via the aptly cast voice of overgrown kid Willis.
  15. 50
    A lot of this stuff is irresistible. In the early going especially, the movie's infantilism is snappy and surprising. But this is a great idea for a sketch, not a feature, and if Heckerling had resisted padding it out, it might have made a brilliant short. A comedy can ride only so far on high concept. It has to deliver the jokes, and this one doesn't.
User Score
6.6

Generally favorable reviews- based on 27 Ratings

User score distribution:
  1. Positive: 1 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 0 out of 1
  1. Mar 9, 2012
    6
    The idea of trying to understand what goes on in the head of a baby is great and in the hands of a better writer this could have been a hellThe idea of trying to understand what goes on in the head of a baby is great and in the hands of a better writer this could have been a hell of a lot better that just cute as it turned out to be. Full Review »