- Studio: Tartan
- Release Date: Dec 9, 2005
- Critic Score
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83It's not really scary, but it reaches a level of insanity so unhinged and dispassionately wretched that it defies description. Inspired, but not for all tastes.
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75An outrageous horror flick.
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75Shot on digital video as murky as Masuoka's imagination, its creeping sense of dank dread is as slow to build as it is hard to shake.
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70Marebito's ghoulish delight in gore will turn off the squeamish, but tougher souls will recognize that the over-the-top shocks are Shimizu's way of illustrating how terrifying the risk of human connection can be.
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70Provocative rather than scary, and it's made with visual flair.
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67Unlike the elliptical, often explanation-free "The Grudge," Marebito is wordy to the extreme. Konaka's near-constant narration underlines every point the movie is trying to make, ruminating bluntly on the meaning of fear, and how we suck on media violence like, yep, vampires.
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50Shot in just over a week with a minuscule budget, this artsy thriller feels like a one-off from Shimizu's Ju-on films but is probably worth a look for fans.
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50In casting about for new sources of fear, Marebito achieves its own level of mediocrity.
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38Never gives us what it promised: a glorious, totally new sense of horror.
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38It's actually a pretty lousy thriller.
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A disturbing supernatural drama that leaves a sour taste in the mouth.
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30This all-digital indie is, by genre standards, either a misfired doodle or an attempt to Lovecraft-ize the popular movement. Or both.
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30Japanese horror doesn't get more tedious.
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