- Studio: Samuel Goldwyn Films
- Release Date: Mar 31, 2006
- Critic Score
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This film does other power-of-dance movies one better by downplaying the dancing and underscoring what its brethren often lack: a compelling, wrenching and wonderfully inspiring story.
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67As absorbingly weird and dark and sad as the film becomes, it still labors against jumpy construction, an irritating variety of visual styles and film stocks, and a crowded story that no one gets much individual screen time, which means that redemption for everyone comes far too quickly and neatly.
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63Expanded by writer-director Randall Miller from a nostalgic half-hour short he made while a student at AFI, this well-intentioned film about loss, grief and new beginnings gets bogged down in syrupy cliches and blunt self-help dialogue.
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The film is an elegiac journey to a sweeter, more civilized place in the heart. Predictable and decidedly old-fashioned in its sensibility, the film is likely to win over audiences if not critics.
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50The adults at the Hotchkiss reunion are played by an assortment of splendid actors.
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Too cute, too transparent, too precious and ultimately too much.
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50The movie delivers the promised ballroom action, but not the charm. And if you think the title is endless, wait till you see Goodman's death scene.
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50Overall it's got two left feet - and charm is in dangerously short supply.
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50The story is corny and predictable, but Carlyle's subtle, nuanced performance saves the movie from drowning in sentimentality.
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50I wish I could say there is something pleasurable in watching John Goodman reminisce about the good old days while impaled on a steering wheel in the Volvo he's crashed on a California freeway, but I can't find what it is.
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50Really, about all that unifies the movie is its inclination to turn little people's dreams into limply ''affectionate'' camp.
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42Three movies gasp for life inside the clumsily titled Marilyn Hotchkiss' Ballroom Dancing & Charm School.
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Several steps shy of a satisfying lesson.
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Despite a gloriously baroque performance from Mr. Wahlberg - attempting moves certified only for Antonio Banderas - Marilyn Hotchkiss Ballroom Dancing and Charm School remains irredeemably soggy.
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40This has its moments, but most of these are engulfed by the overall murk.
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38Amounts to Chicken Soup for the Soul-style torture -- unless you like that kind of thing.
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30It's all a treacly, shoddily assembled, underwritten mess.
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This flat-footed male weepie musters an insurance ad's worth of clichés about the importance of busting a move in middle age-and it strains so hard to do so that it's almost perversely compelling.
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25An attempt at a beautiful film about renewal -- about past love, love lost, longing and rediscovery -- but it has no emotional truth.
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20Juggles three separate time periods -- and is completely formulaic in each one.
User score distribution:
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Positive: 3 out of 4
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Mixed: 0 out of 4
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Negative: 1 out of 4
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GrahamB.10I don't know what anyone is talking about, this film is one of the best I've seen recently.
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RichardC.8
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AnthonyY.3