- Studio: Warner Bros. Pictures
- Release Date: Apr 10, 2009
User Score
5.8
out of 10
Mixed or average reviews- based on 99 Ratings
User score distribution:
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Positive: 60 out of 99
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Mixed: 13 out of 99
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Negative: 26 out of 99
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MichaelFApr 11, 200910Absolutely hilarious. A bipolar hero? I was rooting for him!
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JayK.Oct 1, 20099Amazing. Nearly perfect. Funny, unique, emotive. Any reviewer that can't at least acknowledge the greatness of this movie really is unqualified
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PorterhouseWagonsmithApr 11, 200910Comparisons to "Taxi Driver" are appropriate, but this movie is 10x better because it's FUNNY! Don't listen to the ivory tower critics. See a movie about life in the real world of minimum wage workers with impossible dreams they hold in a death grip.
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AlexTApr 12, 20099
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JohnPApr 17, 20099
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KennyPApr 18, 20099This movie is absolutely awesome. It really was a completely refreshing and dark comedy. Anybody who accuses Seth Rogen of being the same character in all his movies needs to check this one out, it's absolutely genius, and way ahead of its time. Jody Hill (who also created the show East Bound and Down) is doing an excellent job of making a name for himself.
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KGFreezeApr 20, 20099This movie is not funny. It's quite disturbing. And it's really really good.
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JefferySApr 11, 20099This is not for everybody, but its rare to see a flick as funny, as it is sad, as it is scary, as it is entertaining. Great performances all around.
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CharlesApr 15, 20099A one of a kind movie that features several taboo subjects and allows the viewer to either be utterly disgusted or rolling in laughter.
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Apr 17, 20119Incredible, extraordinarily underrated movie. Critics and moviegoers were too quick to dismiss it because it wasn't a laugh-a-minute comedy (which, admittedly, was what they were promised by the TV ads). But this film, aside from being funny, took serious chances and went very, very dark. In a good way.
It may not be a good comedy but as a film it's good. -
Nov 28, 201210
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Barring a Terry Zwigoff return to "Bad Santa" territory, it's hard to imagine a filmmaker embracing this dubious hero to the extent writer-director Jody Hill does.
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70Ronnie is more complex, and much scarier, than the kind of self-deluding boob auds usually encounter in comedies of this sort. With the invaluable aid of Rogen, who's never been better, Hill sustains an impressive degree of tension between seemingly contradictory elements.
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90Observe and Report is the rare "action-comedy" (almost always a muddled hybrid) that earns its cathartic climax. The blood is real because the psychosis is real. But somehow--the magic of comedy--it's also uproarious.