User Score
8.8 out of 10

Universal acclaim- based on 18 Ratings

User score distribution:
  1. Positive: 18 out of 18
  2. Mixed: 0 out of 18
  3. Negative: 0 out of 18

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  1. Troubadorjim
    Oct 1, 2007
    7
    Sure, it wasn't action packed, and the dialog wasn't anything to get excited about , but it definitely hit an emotional chord and made me feel the oppression of Persian women. Offside was a kind of sneak peak into Iran's regime, introducing you to the country's friendly people who, at the end of the day, just want to watch some soccer. I especailly like how Panahi portrayed the male soccer fans as simpathetic to the oppressed females, helping them every chance they got. Not a perfect 10 in my eyes, but definitely worth your time if you're a footie fan or just interested in foreign cinema. Expand
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  2. PaulD.
    Oct 10, 2007
    9
    I was amazed at how such a simple story could be so absorbing, entertaining and humorous. Excellent look at the interplay between the stringent Iranian laws regarding women and human factors, including the personalities of the police and the young women.
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  3. AndresZ.
    Apr 24, 2007
    8
    An easy stand-out at this past year's New York Film Festival, Jafar Panahi's Offside is simple yet tough, a film who’s unlikely reflexivity is both a reason to praise it and think about. Carefully accumulating and juxtaposing details to form a web of metaphors and meanings, the film chronicles a group of young women who, not allowed to enter sports events due to Iranian law, disguise themselves as boys in order to enter Tehran's Azadi Stadium to watch a World Cup qualifying match. Expand
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  4. SeanC.
    Jun 11, 2007
    10
    Iranian Islamic regime and other world’s patriarchal societies from Saudi to Afghanistan are placed on notice by this unannounced, unpretentious and unofficial Middle Eastern Women feminist gesture encapsulated in this heartbreaking movie. The film despite its obvious comical propensity, flows through with a deafening tone of casual and yet ominous oppression. In a number of scenes, the movie evokes a helpless feeling mixed with a type of anxiety that one may feel watching Spielberg’s little girl in the red dress running among the ruins at the height of Gestapo’s cleansing in Schindler’s list. Yet the brilliance of these resilient and fearless Iranian women acting as the quintessential unsung heroes escalates into a sensational redeeming factor for their peers and the women from around the world. My compliments to the Mr. Panahi for providing a glimpse of Iranian women reality to the rest of world while in a way bestowing the imaginary title of 21st century Jean dArc’s on these lion heart brave and unstoppable women of Iran. Expand
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  5. BK
    Jul 31, 2007
    6
    This movie was boring as hell. I've been to Iran many times and I still didn't enjoy it very much even though I managed to watch the whole thing. I got absolutely nothing out of it which is a shame cause I was sort of interested in the topic. Slow, plodding scenes, and ultimately uneventful plot makes NOT recommend this movie at all.
    • 0 of 0 users said yes
  6. Jan 12, 2012
    10
    Easy storyline to follow, that highlights lives of women affected by Iranian law. This is conveyed with smart and diverse characters from different backgrounds which makes for an amazing film. Oppression shows the difficulties of Iranian women to the western world, however humour and mutual interest make it worth watching.
Metascore

Universal acclaim - based on 25 Critics

Critic score distribution:
  1. Positive: 25 out of 25
  2. Mixed: 0 out of 25
  3. Negative: 0 out of 25
  1. Women's roles and the eternal fight to expand their rights in Iranian society get a light, hugely entertaining treatment in Jafar Panahi's Offsides.
  2. Reviewed by: Deborah Young
    80
    In his most accessible and spontaneous picture, ranking Iranian helmer Jafar Panahi reveals unsuspected comic gifts barely visible in his dramatic festival winners "The White Balloon," "The Circle" and "Crimson Gold."
  3. 90
    Offside is blatantly metaphoric and powerfully concrete, deceptively simple and highly sophisticated in its formal intelligence.