- Studio: Roxie Releasing
- Release Date: Jan 2, 2002
- Critic Score
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100The film would be more informative if it put Goldsworthy into the broader context of modernist art movements. It's visually ravishing from start to finish, though.
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100Enchanting documentary that also serves as an animated gallery of Goldsworthys uniquely ephemeral art.
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100In its own quiet, voluptuous way, Rivers and Tides, an unpretentiously brilliant documentary, uses the work of Scottish sculptor Andy Goldsworthy to open up the hidden drama of the natural universe.
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90Intoxicating and meditative by turns, helped by Fred Frith's minimalist score, this film opens a portal into a singular creative mind.
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90Watch this film. You may never look at nature indifferently again.
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88Watching this movie is like daydreaming.
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88Thoughtful and entertaining documentary.
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88A beautiful, probing art documentary.
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83Mesmerizing and curiously satisfying idyll that gradually, slyly maneuvers us into a whole new way of looking at the delicate relationship between man, art and Mother Nature.
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80Fred Frith's lovely and subdued score is a perfect accompaniment.
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80Very few art documentaries are as deeply in tune with the spirit of their subjects, and the implications are enormous, since Goldsworthy is the rare contemporary art star whose work (what a radical notion) is actually about something.
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80At times, Goldsworthy's philosophy edges into fuzzy New Age-isms, but with an ever-widening gulf separating humans from their environment, his work demonstrates the enlightening pleasures of reconnecting.
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Appropriately, Riedelsheimer shoots Goldsworthy's mini-megaliths with a landscape painter's eye; set to Fred Firth's modernist score, some images verge on Kubrick territory.
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80As the film's images accumulate, the movie becomes a sustained and ultimately refreshing meditation on surrender to the idea of temporality.
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I know of no documentary on a contemporary artist that conveys so much about the artist's work so lyrically and directly.
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75May bring Goldsworthy's art closer than anything else to ''permanence'' in any traditional sense.
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70Takes a beautifully lensed look at the work of Scottish "landscape sculptor" Andy Goldsworthy, whose unique creations -- composed of icicles, leaves, sticks, rocks, etc. -- are often as not simply swept away by the next tide or wind gust.
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67The film also inspires, if unconsciously, the viewer to rethink what exactly constitutes art.
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The trouble with this art movie is that it's more a movie than it's art.
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60Doesn't add up to much more than a series of pretty pictures, and Goldsworthy's gnomic statements about the "energy" he perceives in "the plants and the land" are never fully explored.
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User score distribution:
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Positive: 20 out of 22
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Mixed: 1 out of 22
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Negative: 1 out of 22
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ValarieB.10Andy pours his soul into his work and often takes it to the very edge of its collapse. That’s a very beautiful balance.
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EvanJ.9