• Summary: A unique panorama of the Hermitage, the most famous palace in Russia, now one of the great museums of the world.
Score distribution:
  1. Positive: 30 out of 31
  2. Mixed: 0 out of 31
  3. Negative: 1 out of 31
  1. 100
    The film is a glorious experience to witness, not least because, knowing the technique and understanding how much depends on every moment, we almost hold our breath.
  2. Extraordinary film, one that, like the museum itself, captures and shows three centuries of Russian culture and history in all its beauty, confusion, terror and majesty.
  3. Reviewed by: Phil Hall
    20
    Little more than a travelogue designed to show off the grandeur of the Hermitage, with the silly actors in fancy costumes getting in the way of the paintings and sculptures on display.

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Score distribution:
  1. Positive: 22 out of 32
  2. Negative: 8 out of 32
  1. "Is this a dream?" "Maybe, maybe. But I'm wide awake." Director Aleksandr Sokurov takes the idea of admiring St. Petersburg's Hermitage through the eye of a camera, and creates a vast, sprawling dream sequence that feels just like dipping your brain in a vat of icy-hot. As the camera drifts through corridor after corridor, the setting constantly shifts - in one room you will encounter the director's friends admiring a painting, while in the next room Catherine II is teaching children how to properly curtsy (not to mention a carpenter in a closet making coffins for WWII cavalry). At the helm of this mad tour is the strange guide, who appears out of thin air and constantly judges every detail, from the art to the museum guests. It's hard to know for sure whether he is a figment of our imagination, a phantom, or, as the narrator suggests, a symbol for Europe's constant patronization for Russian art and culture; whatever he represents, Sergei Donstov gives an eccentric performance well worth remembering. However, if classical art isn't your thing, and you won't be won over by decadence or ethereal camerawork, 'Russian Ark' probably doesn't have much to offer you. But then my question is why are you watching movies? Expand
    • 1 of 1 users said yes
  2. GilbertGilbertovitchMulroneycakeski
    10
    Phil Hall, Chad S., Yakov C, Keri No-Last-Initial: you are being so utterly, heartlessly, breathtakingly CRUEL you belong in a David Lynch movie. Russian Ark, it's true, it isn't going to be everyone's cup of char. Unless you know (intimately) andor love Russian history, it's going to be dull as ditchwater. Obviously. It's hardly a criticism, more an unfortunate fact of life. But think about that for a second. Its only problem is: it will bore you if you aren't interested. No sh*t, Sherlock. F'crying out loud, it's a ONE TAKE FEATURE FILM! A 96-MINUTE TRACKING SHOT! SO WHAT IF THE SUBJECT MATTER'S VERY VERY NICHE? WHO THE HELL CARES? SOKUROV HAS MADE A FEATURE FILM! IN! ONE! TAKE! THAT'S ABSOLUTELY ASTONISHING! GIVE HIM SOME DAMN CREDIT! (inhales) Right. Sorry. But seriously, either give Sokurov credit for one of the most amazing techincal and personal achivements in cinema history, or go back to torturing small animals. With pliers. And margarine. You cruel, evil bastards. Expand
    • 1 of 1 users said yes
  3. It is an experiment that has rarely been put up on screen before. Not only is it trying to challenge our notion of film-making by having one continuous shot, but it also is trying to challenge our understanding of Russia, its history and its great figures. It also has an extraordinary focus on art and the hand of the director is invisible yet very tangible at the same time. Surely, there is no plot, and there is no 'action' in the film - but that is the beauty of it, as well. It is something one should watch and cherish for its accomplishments, not judge for the lack of other film elements - when you have a film like 'Russian Ark' one can only surrender to the auteur director and be taken away to another world. A world of Russia as part of the East and West, while at the same time being neither one. Expand
    • 0 of 0 users said yes

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