- Studio: Paramount Pictures
- Release Date: Jan 12, 2001
- Critic Score
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75Above all, this is a movie where the characters ask the same questions we do: They're as smart about themselves as we are.
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75Sure, you've seen some of these moves before, but Save the Last Dance triumphantly passes the audition.
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63All in all it's a decent, well-put-together romantic drama to hold hands to on the weekend.
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63While it flirts with "After School Special"-ness, at least has the courage to address racial and cultural cliches with a degree of honesty.
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63The most traditional of Hollywood romances, in that it's resolutely about nice people with nice problems.
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50It's about as routine a movie as they come, but it features plenty of endorphin-releasing hip-hop choreography as Derek teaches Sara to get jiggy with it.
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The result is more like an epic "After School Special" -- preachy, runny and oddly warm.
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50Thomas' easygoing warmth helps to melt Stiles' icy veneer, and one of Dance's few pleasures is an extended musical segment where she tries to ape his homeboy posturings.
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38Recycles every cliché of the genre to sleep-inducing effect.
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50An utterly formulaic, teen-oriented romance whose greatest asset is charming leads Julia Stiles and Sean Patrick Thomas.
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42This wan, formulaic teen movie from ''Metro'' director Thomas Carter is afraid to pump up the volume on its own interracial, hip hop Romeo and Juliet story, lest it challenge even one sedated viewer or disturb the peace.
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42Filled with too many issues -- along with young motherhood, street gangs, city life, sex, peer pressure, grief and, oh yes, dancing, which is nearly lost in so many poorly written subplots.
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70Breaks virtually no new narrative ground, yet treads the familiar territory it does cover with grace, style, wit and fun.
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70The story comes full circle in a way that might seem overly schematic did it not have the courage to wear its heart on its sleeve without losing its head.
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70This is a spirited, dirty dance between the polished inauthenticity of Hollywood romance-musicals and hip-hop's central tenet: keeping it real. It's an intriguing combination, if nothing else.
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60It's pretty good, really.
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60Carter can't sidestep the script's cliches, so he wisely cuts to the fancy footwork whenever possible.
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60This sweet-tempered retelling of "Romeo and Juliet," which substitutes uplift for tragedy, gives off enough energy and light that the audience wants to believe in it even if society's impacted prejudices continue to say otherwise.
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60Bland but poised.
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50For all its dumb clichés it offers the basic appeal of teen movies: the pleasure of watching kids be kids, acting as they do among themselves instead of how parents and teachers expect them to act.
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50The disjointed plotting and afterschool-special dialogue offer scant opportunity for the charismatic leading duo to work up much chemistry.
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50Grounded in bedrock formula and earnestness.
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50Takes its cues from the musical dramas of the '70s, but this otherwise engaging young-adult romance never quite catches Saturday night fever.
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50This teenage interracial romance runs hot and cold, sweet and silly, with many more fits than starts.
User score distribution:
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Positive: 113 out of 116
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Mixed: 0 out of 116
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Negative: 3 out of 116
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NikolaK.10Great movie.
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MiaT.10
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BrianG10I absolutely loved this movie. It's inspirational in a sense, and is the only 'chick flick' I've watched more than once.