|Zeitgeist Films | Release Date: April 30, 2004||CRITIC SCORE DISTRIBUTION|
If Otar is, finally, a mite thin and predictably structured, that takes little away from the filmmaker and her cast, who work hard at fashioning the most outlandish special effect of all: believable human life.
The kind of small film -- morally ambiguous, graceful in its admission of imperfect knowledge, at once specific and universal -- that expands our understanding of the emotional economy of family life, with its ebb and flow of love and hostility, secrecy and egregious candor. You must see this film. Read full review
What an amazing presence Gorintin has. Never mind her hunched back and white hair, she's no crone. She makes Eka needy for happiness but susceptible to heartbreak. It's a great performance, full of both joy and the quiet, disappointing parts of being alive that come with knowing change is part of life. Read full review
Julie Bertucelli spends part of the film letting her characters worry whether they've made the right choice, but mostly contents herself with capturing a place where hard choices have become unavoidable. Though her decision to pace the film to Gorintin's old-lady rhythms sometimes kills the dramatic momentum, in the end it's time well spent. Read full review
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