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Mixed or average reviews - based on 30 Critics What's this?

User Score

Mixed or average reviews- based on 21 Ratings

  • Starring: Jude Law, Michael Caine
  • Summary: A millionaire detective novelist matches wits with the unemployed actor who ran off with his wife in a deadly serious, seriously twisted game with dangerous consequences. (Sony Pictures Classics)
Score distribution:
  1. Positive: 11 out of 30
  2. Negative: 5 out of 30
  1. 75
    Caine, who has never been much for the stage, is a superb screen actor, so good his master classes on acting for the camera are on DVD. Here, dry and clipped, biting and savage, he goes for the kill.
  2. At 86 minutes, Sleuth '07 plays like a Cliffs Notes version of the original (which was skillfully adapted by Anthony Shaffer from his own hit play) with far too much of its pacing and delicious texture ruthlessly cut.
  3. 50
    This might have been OK for cable, but as a night out at the movies, it feels like a bit of a cheat.
  4. Art-directed within an inch of its life, Sleuth has the smirky gloss of a project that everyone involved with thinks is terribly good, and terribly clever. These people - Branagh, Pinter, Law and the usually great Caine (even in bad stuff) - are laboring under an epic misconception. Sleuth is just terrible.

See all 30 Critic Reviews

Score distribution:
  1. Positive: 3 out of 10
  2. Negative: 4 out of 10
  1. EmmaG.
    9
    Great performances, Law and Caine are brilliant, fantastic dialogues and, last but not least, amazing work by Kenneth Branagh.
  2. ChadS.
    7
    They're only acting, Andrew(Michael Caine) and Milo(Jude Law); slipping on other skins is how the novelist and actor butter their bread. Both men shoot Harold Pinter's words at each other with cold precision. They duel in rooms illuminated by a blue light. Their mouths are benign guns. Andrew is just pretending, like a blank pretends to be a bullet, when the novelist aims his pistol at Milo. It's a game. The jewel heist, nothing more than smoke and mirrors. Both robbery attempts are deconstructive and anti-climactic. "Sleuth" is really about identity. In the endgame, the blue light affixes itself to Milo alone, while the sudden appearance of the red light seeks out Andrew in melancholic repose. Perhaps, these are the two men as they really are, finally, in three-dimensions, the truth comes out as the red and blue lights converge and produce a white light; an x-ray light. Expand
  3. Obviously adapted from a play - the characters stand around and wait, doing nothing until it's their turn to talk. Probably the worst adaption from a play to a movie I've ever seen. And more importantly, as is often the case with plays (for whatever reason), the characters talk and behave completely unrealistically. Especially at the end. [EDITED TO ADD] I've never seen the old movie or the play, but I just read the synopsis of the old movie, and it the ending sounds like it makes a LOT more sense than this one. Watch that one instead. Expand
  4. DL.
    1
    Rancid. The whole unveiling of the mystery inspector was terribly and unconvincingly rotten. The 1972 version had surprise. This version has nothing. Disappointed in Branagh, whose film "Dead Again" showed a good cinematic eye. Expand

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