Metascore

Generally favorable reviews - based on 40 Critics What's this?

User Score

Mixed or average reviews- based on 64 Ratings

  • Starring: Elle Fanning, Stephen Dorff
  • Summary: You have probably seen him in the tabloids; Johnny is living at the legendary Chateau Marmont hotel in Hollywood. He has a Ferrari to drive around in, and a constant stream of girls and pills to stay in with. Comfortably numbed, Johnny drifts along. Then, his 11-year-old daughter Cleo from his failed marriage arrives unexpectedly at the Chateau. Their encounters encourage Johnny to face up to where he is in life and confront the question that we all must: which path in life will you take? (Focus Features) Expand
Score distribution:
  1. Positive: 27 out of 40
  2. Negative: 5 out of 40
  1. Reviewed by: Andrew O'Hehir
    Dec 23, 2010
    100
    A fascinating, mature, beautifully crafted work of art, from a director who continues to surprise us. Sofia Coppola has absorbed the Italian avant-garde more completely than her father ever did, and has made a film about celebrity in the vein of Antonioni and Bertolucci, a film about Hollywood in which she turns her back on it, possibly forever.
  2. Reviewed by: Bill Goodykoontz
    Jan 6, 2011
    80
    Coppola's audacity in not only portraying the unmoored nature of Marco's life but immersing the audience in it proves satisfying over time.
  3. Reviewed by: J.R. Jones
    Dec 24, 2010
    60
    Fans of Coppola's movies (and/or perfume ads) will find this free of the absurd pop-rock flourishes in "Antoinette" and more consistent with the skilled tonality and narrative ambiguity of "Translation."
  4. Reviewed by: Roger Moore
    Jan 19, 2011
    38
    Somewhere is a triumph of tedium, banality passing for depth, a vacuous embrace of nothing.

See all 40 Critic Reviews

Score distribution:
  1. Positive: 12 out of 24
  2. Negative: 9 out of 24
  1. Somewhere is an arthouse film that reminds us of great eras in smaller films, the Italian and French films of the 60s and even quite a few early 90s indie movies. Each shot and scene is put together with exquisite details and nice touches, it makes for a movie that can be seen more than once. Stephen Dorff plays an enigmatic, working cool actor shacked up in LA's Chateau Marmont hotel on the Sunset Strip. He bangs models, wannabe actresses and is a bit of a rocking guy. Emotionally empty and isolated, he finds solace in his 11 year old daughter played by a very talented Elle Fanning. The movie produces a great father and daughter relationship, tragic by design and circumstance, a love story that has nowhere to go. I really thought Dorff was an underrated, naturally cool and talented actor before. And Sofia Coppola creates a collage of memorable imagery, unusual sensitivity and an understated depth to Dorff that really shines. I liked this film more than Lost In Translation. The music is great too. Expand
  2. This is a mysterious film that begins with a fast car--somewhere--going nowhere. The slow start slice of life emphasizes the real feeling of the fast life--how it looks to others vs. the reality of its ordinariness and lack of connection. Like life, the movie gives the illusion it may be going somewhere and have a climax or a point of great accomplishment, but like a mirror to life it illustrates that the sense of your going somewhere is always an illusion and that, with nowhere really to go, in the end you have the passing of time and the people you care about and then it's the end. The movie holds a mirror to life and shows it as it is and how it feels for everyone. The point is that this is how it is whether you are famous or not. The fast cars, girls, money, fame, don't change the essential nature of life. The sense of needing and wanting to go somewhere, when really there is just here, and after all the running around, you are still just here. Right here. It's film as Zen. In the beginning of this movie, I thought what? And then I realized that this is what film and art should be--transformational in the sense of breaking the illusion that transformation is the goal or that moving forward is the goal. The purpose of life is to take time to feel it even though you know it doesn't go anywhere. It is enough to be somewhere. Expand
  3. It's a good movie, despite a bit slow and, thus, boring. It questions the values of American cinema and even draws a comparison to European films. It's full of irony and some sharp criticism. It's not the most enjoyable film around, but it's quite pertinent and should incite reflection. Expand
  4. Boring. Sofia tried to use the silence to make you think about the character's life, but all she accomplished was to successfully make you sleep. And she's completely delusional if she thinks Stephen Dorff is a good actor. Sofia, darling, I have some news for you: he is not. Expand

See all 24 User Reviews

Trailers